Thursday, October 31, 2013

I'm Getting Seesick From *gulp* Seein' Too Much!


                Some people seem to feel that Halloween is the perfect time to pull out their entire collection of zombie movies and settle in for a night of gore and terror. If that’s your idea of a good time, then more power to you but - if like me you’re a bit of a coward (the kind who prefers to sleep without visions of Chucky stalking your head) - then I’m sure you don’t plan on spending your night with Stephen King or Alfred Hitchcock. But that got me thinking – are there any movies available for wimps and milksops like myself who just can’t stomach the slasher genre? As it turns out there is. After a wee bit of research I have managed to compile a list of thirteen films for your Halloween night marathon that won’t leave you puking up your popcorn. So without further ado – let us list off the 13 Non-Horror Film Options for Halloween!


13: The Addams Family
What: A 1991 American comedy film based on the characters from the cartoon of the same name. Stars Anjelica Huston, Raúl Juliá, Christopher Lloyd, and Christina Ricci among others.
Who: MGM Pictures
Why: Because it’s a mysterious and kooky satire, naturally!





12: Hocus Pocus
What: A 1993 American family-fantasy-horror-comedy film focused on the hijinks of three witch sisters from Salem, Massachusetts. Stars Bette Midler, Sarah Jessica Parker, and Kathy Najimy.
Who: Disney
Why: It’s a cult classic, for starters, and it contains a wonderful villain song courtesy of the youngest sister.


11: The Boy Who Cried Werewolf
What: This 2010 made-for-television movie stars Victoria Justice, Chase Ellison, Matt Winston, and Brook D’Orsay
Who: Nickelodeon
Why: Because it’s got a little bit of comedy, a little bit of romance, a little bit of drama, and a whole lot of fantasy.





10: Ghostbusters
What: A 1984 American supernatural comedy film about three eccentric parapsychologists starring Bill Murray, Aykroyd, and Ramis.
Who: Columbia Pictures
Why: It inspired two sequels and a cartoon show, not to mention the theme song is catchy as all get out. Besides – who doesn’t love a bit of comedic ghost hunting?



9: Beetlejuice
What: A 1988 American fantasy-horror-comedy film directed by Tim Burton. Stars Alec Baldwin, Geena Davis, and Michael Keaton.
Who: Warner Bros.
Why: It won an Academy Award for Best Makeup, spawned a cartoon series, and is directed by Tim Burton.



8: The Death Song of Uther Pendragon
What: Merlin S05 E03
Who: BBC
Why: Uh…it’s Merlin and Arthur going on a ghost hunt through Camelot. Is there anything not to like about that situation?


7: The Adventures of Ichabod & Mr. Toad
What: Two separate cartoons put into a single film – one an adaptation of The Wind in the Willows and the other the famous Legend of Sleepy Hollow.
Who: Disney
Why: It contains the gothic and very atmospherically perfect The Legend of Sleepy Hollow, complete with a Headless Horseman chase.


6: The Corpse Bride
What: A 2005 stop-motion animated film directed by Tim Burton that stars Johnny Depp, Helena Bonham-Carter, and Richard E. Grant.
Who: Warner Bros.
Why: Because, contrary to the title, this film is not about necrophilia. Instead it is a deep and thought-provoking tale of love, loss, and lies.



5: The Nightmare Before Christmas
What: A 1993 stop-motion animated film directed by Tim Burton starring Chris Saradon, Catherine O’Hara, Ken Page, and Glenn Shadix.
Who: Disney
Why: Well, it’s set around the holiday of Halloween itself – for starters. This movie also contains some interesting imagery, incredible atmosphere, and a fan-favorite villain song.



4: Hotel Transylvania
What: A 2012 American 3D animated fantasy-comedy film starring Adam Sandler, Andy Samburg, and Selena Gomez.
Who: Columbia Pictures
Why: Who knew – Adam Sandler can still occasionally be funny and relevant in a movie! Contrary to the record of his career-ruining comedy company, Sandler’s Dracula is both funny and relatable as he tries to run his hotel for monsters. This is a movie that is just a bunch of harmless, mindless fun - despite the occasional moments of extreme juvenile humor.


 
3: The Vampires of Venice
What: Doctor Who S05 E06
Who: BBC
Why: It’s The Doctor and vampires…in Renaissance Venice.





2: The Hounds of Baskerville
What: Sherlock S02 E02
Who: BBC
Why: It is a modern adaptation of Sir Arthur Conan Doyle’s famous gothic tale The Hound of the Baskervilles. There’s government conspiracies, genetic experiments, cold-blooded murder, fog, a mutant superdog, and a 20-year-old mystery that rattles even the inscrutable Sherlock Holmes.







1: Young Frankenstein
What: A 1974 American comedy directed by Mel Brooks and starring Gene Wilder, Marty Feldman, Teri Garr, and Peter Boyle.
Who: 20th Century Fox
Why: Wikipedia describes this movie as ‘an affectionate parody of the classical horror film genre’. That’s like saying that Casablanca is a movie with drama. This movie was written, acted, and shot by people who got parody and satire and is easily one of the best films by either Mel Brooks or Gene Wilder.


Top Ten Non-Sparkling Vampires


                     Vampires have long been a monster of fascination for we mere mortals, featuring in various stories from all over the globe that have been handed down and adapted through the ages. Certainly with the recent rise in popularity of supernatural and fantasy literature, film, and television it is nigh impossible to escape the undead creatures. One need only look at the spines of the teen fiction section in any local bookstore to get one's Halloween scares for the fascination with vampires has taking a slightly different turning. No longer are they half-rotting demons that are to be feared and hunted down at all costs. No, now the vampire is the hot boy across the cafeteria who draws us in with his electrifying, heart-stopping glare and his lust for our blood. (I guess if that does it for you...)

                   So in honor of Halloween, I have decided to take a look at the children of the night. Here is a list of the Top Ten Non-Sparkling Vampires. I hope you enjoy...don't forget your candelabra.




10: Mr. Ratburn – Arthur
          Although not technically an actual blood-drinker, this tough teacher features in the daymares of his students.  He is said to eat nails for breakfast, hypnotize children to not like recess, and to throw under-performing students in the Bastille. Granted all of these terrible things are only playground gossip and rumor…but that didn’t make our enjoyment of vampire!Ratburn any less long-lasting. The concept was funny, had some great atmosphere and music, and got the point of the strict teacher across quite vividly.




9: Barnabas Collins – Dark Shadows
            No, I’m not talking about the washed-out, greasy-haired Johnny Depp version. Nope – for this list I’m going back to the original vampire played by Jonathan Frid for the 1967 – 1971 run of the ABC supernatural serial Dark Shadows. Barnabas is a centuries old vampire in relentless search of his lost love, Josette. Throughout the course of his appearance on the show he shifted from being a one-off, dark character to the main protagonist (being given noble qualities along with the fangs) and was so popular that he both featured in the NBC reboot of the show and two movies.


8: Mavis – Hotel Transylvania
            When I first heard about this film I rolled my eyes and groaned at the thought of another studio trying to cash in on the bewildering success that is the Twilight franchise. I just want to stop and apologize right now because this movie is NOTHNG like Twilight (other than the human/vampire romance…but here it is done worlds better, despite the fact that the voice actors are Selena Gomez and Andy Samburg)! The movie is (usually) funny and the two characters involved in the romance actually have some character. Mavis is the adventurous daughter of Dracula who is curious about humans and the human world. Parallels with Ariel aside, Mavis is a quirky, fun character to watch. Her interactions with her Dad are perfect and her annoyance at the dusty old hotel where she lives is certainly understandable (have you ever had to listen to Frankenstein sing in the shower?). The love zing between her and Johnny is believable and sweet, rather than insufferably soppy, and you walk away from the movie feeling like you watched an actual story with actual people rather than an excuse for half a dozen or so kissing scenes. I was shocked, especially given the number of childish jokes involved and the way they play fast and loose with the Universal monsters lore (and the inclusion of the Samburg/Sandler duo), just how much I enjoyed this film and the teenage vampire who stars in it.


7: Thuringwethil – The Silmarillion
            Did you know that Tolkien wrote about vampires? Well, he did. Thuringwethil was a vampire bat-creature who briefly featured in the Lay of Leithian (the story of Aragorn’s ancestor and Arwen’s great, great grandmother). T (as I call her) appears only for a few moments in the tale before she is killed – putting up quite the fight and reputation before her demise – and then her skin becomes a cloak for Luthian to wear as she and her lover, Beren, steal into the fortress of Morgoth (the guy who taught Sauron) to recover a Silmaril so that Luthian’s father will allow them to wed. As I said, T herself doesn’t appear in the story for long…but it is quite clear from the text and from the way Luthian’s disguise worked that T was quite the menacing foe during her prime.


6: Katherine – The Vampire Diaries
            Katheine is an outwardly-sweet character who comes to Mystic Falls and toys with the Salvatore brothers. She can be both calculating and manipulative and is the one responsible for originally turning Damon and Stefan. Though Katherine originally starts out as an antagonist, as the story goes on it is revealed that she is on the run from yet another vampire, Klaus, who needs her to break the curse that is upon him. She has a dark back-story that tells of how her Bulgarian family disowned her after she had a child out of wedlock and banished her to England (where she first met Klaus). Fleeing from him for years, she eventually ended up in Mystic Falls where she turned several people and used a werewolf to steal a moonstone. Katherine is not all bad, though. Despite the fact that Elena Gilbert is a rival for the affections of the Salvatores, Katherine does agree to protect her descendant from the supernatural underworld.


5: Mitchell – Being Human
            Mitchell is a hospital cleaner who shares a flat with a werewolf and a ghost (and, as time goes on, a whole load of ghoulish creations) but that’s okay because Mitchell is also a vampire. His image cannot be captured on film and he has no reflection. He doesn’t scorch in the sunlight, though he is very susceptible to sunburns and often has to wear sunglasses to protect his eyes. Mitchell is a vampire who is doing his best to live as a human – abstaining from blood and subsisting on pizza and coffee, though he does occasionally fall back into temptation. Constantly conflicted about what to do with his undead life, Mitchell occasionally strays from his friends and becomes embroiled in the vampire society of Bristol. But he always comes back to George and Annie because he says they keep him sane and clean.


4: Ms. Finnegan – Doctor Who: Smith & Jones
            Do plasmavores count? Well – this is my list so I say they do! Florence Finnegan is a fugitive plasmavore hiding out from the Shadow Proclamation (intergalactic law) in a hospital on planet Earth because there she will have easy access to the blood banks. Whenever the Royal Hope Hospital was transported to the Moon and the Judoon came searching for her, Ms. Finnegan drained the blood of Doctor Stoker in order to assimilate humanity and fool the mercenaries’ scanners. She also rigged an MRI machine to send out a wave that would kill everyone within a certain radius (all those in the hospital and half of the Earth) before The Doctor tricked her into drinking his blood and she was caught/executed by the Judoon. In appearance like a kindly, harmless little grandma – Florence has no fangs or sharp teeth. Instead she carries a handy, dandy straw about in her purse and uses that to pierce the jugular of her victims. Terror in a nightie indeed!


3: The Count – Sesame Street Muppets 
            “In old Transylvania when I was a lad/Our castle was cold, yet we never were sad/We learned to be happy – we danced ‘round the hall/And learning to count was the key to it all!” For many of us, this was the first vampire we ever encountered (even if we didn’t know he was a vampire) and boy is he ever a good one! From the fine evening clothes to the silky accent, everything about Count von Count is a beautiful parody on the stereotypical vampire – he even has a cobwebby castle filled with bats and a pipe organ. And he teaches you to count, how cool is that? 

2: Angel – Buffy the Vampire Slayer/Angel
            This character is so cool he even got his own spin-off show. Angelus (formerly known as Liam) is an Irish vampire who has been cursed with a human soul – something that causes him never ending torment. Though at one time he was known as the darkest and most sadistic of the vampires, throughout the course of the two shows and expanded universe Angel has turned into a champion of mankind who must constantly deal with the fallout of his former lifestyle. He is tied in with several prophecies – most relating in some way to the apocalypse – and is a love interest of Slayer, Buffy Summers, despite his daily battle against the gypsy’s curse.


1: Count Dracula – Dracula
            For the number one place on this list I wouldn’t dare to look anywhere but Bram Stoker’s famous classic that defined the modern vampire lore. The book chronicles the journey of Dracula to London (in search of fresh blood), the turning of Lucy Westenra, and the subsequent hunt led by Professor Abraham Van Helsing. It is dark, gothic, frightening tale (even the kids’ condensed versions are pretty scary) and much of what we ‘know’ about vampires today can be found within its pages. There have been many interpretations of the novel and characters (from thrillers to horror to parody) and it remains one of the best-known novels even to this day. Count Dracula is a terrifying figure; for all that he barely appears personally within the story, and through his calculating, thirsty plotting easily earns his place as most memorable vampire.

Monday, October 21, 2013

Top Ten Scariest New Who Episodes

              
              This is a look at the scariest episodes from the revived series; a look at the episodes 2005 - Present that managed to send us diving behind the sofa or squirming beneath the blankets or whatever was on hand to use as a shield.



10: The God Complex (S06 E11)
           I have included this episode from Series 6, not because it is particularly scary, but because it both deals with some deep concepts and has an overall dark and creepy atmosphere about it. Taking inspiration heavily from Kubrick’s The Shining, this episode is a never-ending labyrinth of disturbing images/ideas and claustrophobic hallways that are haunted by a creature that feeds on the very thing we turn to in times of fear: our faith.





9: The Impossible Astronaut/Day of the Moon (S06 E01&02)

            I have to say that I found The Silents to be more disturbing than really frightening. There is a difference between being creeped out by something and being scared of something. The Silents, for all they look like Slenderman, only do the former for me. But that doesn’t mean that the amnesia-inducing aliens don't hold a bit of horror for me. Personally I value my mind and memory very much, so the idea of a monster that could not only erase moments from my mind but also influence me via post-hypnotic suggestion carries quite a bit of weight on the creepy factor. 



8: Human Nature/Family of Blood (S03 E08&09)
            This episode can be frightening for a couple of reasons. First and most obvious are the antagonists known as the Family of Blood who possess the bodies of innocent people and covet immortality, being willing to kill, maim, and commit all sorts of atrocities (visible and implied) in order to gain it. These aliens are dark, unrelenting, and surprisingly subtle, considering that they are Doctor Who villains. The second reason is that, due to The Doctor’s use of the Chameleon Arch, everything in this episode just feels off-kilter. It’s like a trip down the rabbit hole, minus all of the funny and magical creatures from Wonderland and plus all of the unsettling, dark undertones. It is quite disconcerting to be watching The Doctor who is not The Doctor. That makes Human Nature/Family of Blood scary and unsettling on a subconscious level…but that is also what makes them such good episodes.


7: The Time of Angels/Flesh & Stone (S05 E04&05)
           Amy Pond has had an angel implanted in her mind and it is forcing her to slowly count down to her doom. In order to pause the process, Amy must keep her eyes shut at all times (thereby negating the effect of the angels turning into stone as long as you look at them). Not only that but, in order to find The Doctor and River, Amy has to navigate her way through a forest of angels with her eyes still shut. 




6: Silence in the Library/Forest of the Dead (S04 E09&10) 
            Like the episode mentioned above, this two-parter is also created by the diabolical mind of Steven Moffat. Among other things it involves the introduction of River Song and the creation of the flesh-stripping shadows known as the Vashta Nerada. That name means ‘the shadows that melt the flesh’ in one of the various languages The Doctor has picked up over the years and is about an apt description as one could give - within seconds of latching onto a target the swarm of darkness completely devours every last bit of muscle, flesh, and sinew leaving behind a clean, grotesque skeleton. 



5: The Empty Child/The Doctor Dances (S01 E09&10)
            And we have yet another episode penned by Stephen Moffat here. Are you starting to see a pattern? This two-parter, which pits The Doctor, Rose, and charismatic newcomer Captain Jack Harkness against an army of gas-mask zombies, is easily the scariest story from Series 1. What makes this episode so scary is that it plays off of the very base childhood fear of losing one’s parents (or being rejected) and the adult fear of technology gone horribly, epidemically wrong. The premise is frightening enough but when you factor in the lighting, atmosphere, and acting you should be prepared for a wild ride of scares.


4: The Impossible Planet/The Satan Pit (S02 E08&09)
            The first time I watched this episode I actually had to pause it and walk away for a few minutes to process what I had seen. I think it was the combination of claustrophobic conditions, epic scale, and satanic possessions that got to me. This two-parter is quite dark and deals with some really deep and frightening themes of belief and what is truth. And, of course, they’re fighting The Devil! It doesn’t get much darker than that.



3: Blink (S03 E11)
            This is the episode that many consider to be the perfect introduction to Doctor Who. While it may be true that it is possible to watch Blink with little to no foreknowledge of the program and universe and understand it (well, as much as any of Moffat’s scripts can be understood), I take issue with showing this to a newbie and I never use it as an introductory episode for two reasons (a) because watching this story first gives the viewer a rather unfair expectation as to the overall…quality of the show and (b) because the episode is so good it is something that has to be earned. It has everything – great atmosphere, fairytale elements, an ever-tightening mystery, jump-scares, psychological scares, creepy imagery, likable characters that you actually fear for, and the list goes on and on.



2: Midnight (S04 E11)
            I have described many of the episodes on this list as ‘claustrophobic’, either because they take place in cramped, inescapable locations or because the enemies are forever closing in, but Midnight takes the term right back to the original definition and just runs  away with it. The entire episode takes place on a stranded shuttle with a limited cast of characters and an unseen monster that we never actually find out what it was. The fact that the enemy remains a mystery only ups the creep factor, but the real thing that makes this story so frightening are the panicking humans. Oh sure it’s scary whenever Skye is first possessed and is repeating everything said. Sure the music creates a great atmosphere when paired with the lighting and picture-perfect acting. Sure it is scary whenever The Doctor is taken over by the creature. But what is infinitely more terrifying is the depths that the frightened humans are willing to sink to – turning on Skye, The Doctor, and eventually each other in their fear and becoming willing to commit murder just to save their own precious skins. 


1: The Waters of Mars (S04 E16)
            The classic base-under-siege story is taken to a whole new level with this terrifying story of the doomed first human colony on Mars. Anyone who complains that NuWho just doesn’t have the scares that the classic series did needs to watch this episode right away, preferably at night in an empty house. Between the unstoppable Flood, the claustrophobic sense of impending death, and The Doctor (or, as he dubs himself, the Time Lord Victorious) – this episode is truly frightening and memorable as it wrestles with morality and fate.




Friday, October 18, 2013

Top Ten Tenth Doctor Moments



             He is a fan favourite and regularly tops the lists of ‘best Doctor’ choices, and with good reason. David Tennant truly brought something special to the Tenth regeneration of the last Time Lord. He brought wit and energy and charm along with simmering righteous anger and deeply buried pain.


10: Losing Rose Tyler – Doomsday 
            No, I’m not talking about their little chat at Bad Wolf Bay. If you’ve read my review of Army of Ghosts/Doomsday then you know that I am a big fan of the scene where The Doctor and Rose stand on opposite sides of the two Torchwood walls as if reaching out to each other. It is an important moment for both The Doctor and the audience as it is the first time in the revived show that we have lost a full-time companion. Rose’s tears may be sad and depressing in this scene, but I find that The Doctor’s reaction of total silent shock and sad resignation to be the real heart-breaker. This isn’t the first companion he’s lost (and not even the worst exit scenario) but you can really see how broken up he is just by the desolate look in his eyes.


 9: “You were my Doctor.” – Time Crash
            This minisode (written for Children in Need) is a prime example of Steven Moffat’s genius when it comes to short bursts of humor and emotion. Time Crash takes place right after the Series 3 finale and involves the meeting of the Tenth Doctor and the Fifth. There is the expected amount of bickering involved and even a bit of a plot centered around the TARDIS’ struggle to maintain the paradox, but the best moment comes from the end as the Tenth Doctor joyously tells the Fifth about everything inspired by him. We’re not sure if it’s David Tennant talking to Peter Davison or Ten talking to Five, but it is the sheer amount of amiable chemistry the two share and the obvious fanboying Tennant is doing that makes this scene easily the biggest whiplash from hilarious to warm tearjerker in all of Doctor Who. If you haven’t had a chance to watch this episode I highly recommend that you do so. You will not be disappointed! 


8: Reuniting with Donna – Partners in Crime
            Donna Noble is the best companion the Tenth Doctor ever had and no one will convince me otherwise. But even if you don’t like Donna, you have to admit that the scene where The Doctor runs into her for the second time is pretty darn funny. The entire episode thus far has been building up to this moment as both characters are investigating the same agency and keep just missing each other before they finally reunite and have a mimed conversation through the windows of the room where the bad guys are interrogating a prisoner. Not only is it extremely funny and beautifully showcases the chemistry and talents of David Tennant and Catherine Tate, but we also are treated to one of the world’s most heart-warming hugs whenever the two literally run into each other mere moments later.


7: Hearing River’s Secret – Silence in the Library
            This is an extremely important moment in The Doctor’s overall story arc, but it is also an amazing moment for Tennant. I just love the way he plays the reaction as River whispers The Doctor’s name in his ear. The performance is extremely subtle and quiet. His face stays totally blank and you can see that The Doctor momentarily shuts down in utter shock. This entire two-parter is an excellent episode for our Time Lord, but I would pinpoint this one moment as the best. 



6: Pleading with The Master – Last of the Time Lords
          Somehow seeing The Doctor crying over the body of his former best friend, current enemy, and one hope for absolution just kicks me in the gut every time. The last ten minutes or so of this story are just sheer gold and I am left breathless each time by the sheer amount of raw emotion that every character goes through. Every one of the actors give it their all and the scene really serves to cement the depths of The Doctor's grief and still very present pain for the burning of Gallifrey. Talk about showing instead of telling! 


5: The Death of John Smith – Family of Blood
           John Smith is a totally different character to The Doctor. The Doctor is fire and ice and rage, all arrogance, knowledge, and self-loathing in one complicated, intelligent, and ancient package. John Smith, on the other hand, is just a simple human being – and not a particularly suave one at that. It is a testament to the incredible acting skills of David Tennant that he manages to pull off both characters and effortlessly switch between the two. Everything about John Smith is different than The Doctor. From the manner of speech to the attitude to the body language and posture, he is a completely new person who just happens to look like the Time Lord. This makes him into a real person and makes his metaphorical ‘death’ quite upsetting.
           Now isn’t that just heartbreaking? This two-parter is highly emotional for several reasons, not in the slightest because it deals with war and the loss of childhood innocence, and it is actually quite terrible to watch and see John Smith thinking about what could be if he doesn’t open the watch. He sees his wedding to Joan, the birth of his first child, and growing old beside a beloved wife before finally getting the release into the slumber of death. In a way you could argue that this is what The Doctor really wants. Remember that he lost his family in the Time War. Maybe John Smith was more of a picture of The Doctor than is immediately apparent.


4: “Burn with me!” – 42
            Oh my gosh – this scene never fails to give me the chills! Not only is there the threat that The Doctor might kill Martha and the rest of the crew (or regenerate) but there is the fact that he is screaming out in agony and fear. It's like a scene from a horror film as Martha puts the infected Time Lord into a stasis chamber to try and freeze the sun particles out of him. The Doctor is begging and pleading in terror – and this is also the only time I think we’ve ever actually heard The Doctor outright admit to being scared. That in and of itself is frightening!


3: Midnight
            This is easily a top contender for the title of ‘Scariest New Who Episode’ due to its claustrophobic feel, creepy story, and the fact that The Doctor’s greatest weapons are turned against him. Every time he gets into a bad situation The Doctor uses his mind and his words to get himself back out (preferably with as little collateral damage as possible) but here the current is set against him as his arrogance and take-charge attitude alienates the shuttle of panicking humans until they no longer trust him. Once they learn that he, like the mysterious entity, is an alien they quickly become hostile. But it continues to get worse... 
             Once the parasitic alien moves on to The Doctor, possessing him and rendering him unable to move or speak of his own free will, it steals his voice and makes him order the already hysterical passengers to murder him. Using his own words against him, it forces The Doctor to cry out his own death sentence. Eventually the others crack and start dragging the terrified Time Lord towards the airlock to dispose of him so that they can be ‘safe’. Even after the threat is dealt with, The Doctor’s ordeal is not yet over with as he is left exhausted and hurting on the floor of the Crusader. Tennant is amazing in this episode. Because the alien locks all of The Doctor's limbs and freezes him in place, it is up to Tennant to convey what The Doctor is feeling using his eyes alone. I honestly don't know how he does it - but I bet The Doctor wasn't the only one exhausted whenever this whole thing was over. 


2: Time Lord Victorious – The Waters of Mars
            This was the first time that I’ve ever been afraid of The Doctor. I’ve been afraid for him in the past; but this was the first time I can say that I wasn’t on his side. In fact he didn’t even act like The Doctor here; he was more like The Master than anything else. I think the thing that really makes this scene so scary is the fact that The Doctor is actually doing something ‘right’. All throughout the episode we are half-hoping that he will find a way to get around the fixed point and save the Bowie Base crew, but whenever it happens it quickly becomes apparent that The Doctor is not doing the right thing. The scenario that was set up in Pompeii now comes to life and it is terrifying. But then comes the moment when The Doctor realizes that he's been wrong. Adelaide takes it upon herself to set time right again by committing suicide and this forcibly yanks The Doctor out of his destructive bent and really shakes him up. He sees the Ood and cries out in fear and alarm "Is it my time too?" before entering the TARDIS where the cloister bell is clanging. 


1: Reuniting with Sarah Jane Smith – School Reunion
            One of my personal favorite episodes also contains the best moment for the Tenth Doctor. There is just something so wonderful about the excited, warm smile he gets as he sees his beloved Sarah Jane again – and the pride he shows when he discovers the way she put her TARDIS lessons to good use here on earth. In my review of this episode I spent a lot of time going on and on about Elisabeth Sladen’s incredible performance – but here I’m going to focus on The Doctor’s reactions to all of her (just) accusations. He is so happy to see her again, but it doesn't take much of a scolding from Sarah Jane to make The Doctor look back on some of the not-so-nice things he's done. While there was a fair amount of nostalgia (and Tennant fanboying) involved, this scenario forced The Doctor to stop running and take that look back. 
           It is important for the audience, for Sarah Jane, and for The Doctor himself to have this meeting with one of his old companions and it is nice to see that even after they leave him (and even if he can’t bring himself to talk about them) they are never far from his hearts. He cares about each and everyone one of his companions and is so proud and overjoyed to see them again, even though he fears looking back too much. That is why I think that The Doctor’s reunion with Sarah Jane Smith to be the best moment out of Ten’s entire run in the TARDIS.