Showing posts with label books. Show all posts
Showing posts with label books. Show all posts

Tuesday, December 23, 2014

Dear Lord of the Rings...


Thank you for being a big part of my childhood...

Thank you for inspiring three live action films that can, to this day, give me chills and make me cry like a little baby...

Thank you for your diverse fanbase, made up of everything from the 12-year-old Mary-Sue writer to the 40+ Quenya & Sindarin scholar...

Thank you for the years of laughter and tears...

Thank you for the late-night movie marathons with friends & family...

Thank you for the 'father-daughter' nights out at the cinema with my Dad...

Thank you for the times my mother read The Hobbit to me when I was a kid...

Thank you for being the story to bring fantasy back and make it popular, thus inspiring many other authors and filmmakers to try their hand at it...

Thank you for getting me into poetry with your unfinished 'Fall of Gil-Galad'...

Thank you for three awkwardly-animated-but-still-utterly-charming films, four radio adaptations, and a stage musical that each give a different view and flavor to your world...

Thank you for interesting me in the movie making process...

Thank you for teaching me that a book adaptation doesn't have to be exact to be good...

Thank you for showing me that even epic, high fantasy doesn't have to take itself too seriously to be good...

Thank you for influencing the person I am today...

Thank you for being my friend for many years...



Tuesday, December 2, 2014

Film Review: The Chronicles of Narnia "The Lion, The Witch, and The Wardrobe"




"This is an awfully big wardrobe." You don't say...!

         I am always a little leery whenever I hear that Hollywood is getting its hooks into one of my favorite books series'. I've been burnt so many times in the past that I automatically cringe whenever I hear that there is going to be a new adaptation. So when I heard that Walt Disney was going to take on the book series that was an integral part of my childhood and my introduction to great literature and fantasy in general...I shuddered and was instantly torn between terror and ecstasy.

     It's not that I am a staunch book purist or anything like that. I used to be, way back in the day, but I have since learned that sometimes adaptations do have to make changes and cuts and, if they are done correctly and with love, they can actually enhance the storytelling and keep the original themes and messages of the book while beautifully changing the medium from book to screen. Sometimes changes have to be made. I get that and I'm not one of the people who rant and rave about Tom Bombadil being cut out of The Fellowship of the Ring. (Or at least I don't any-more...)

     But I am always nervous whenever a part of my childhood is going to be given an adaptation. Whenever I think about all the horrible misinterpretations that have been made of The Secret Garden, I still break out in hives. So was The Chronicles of Narnia: LWW as bad as I feared it would be?

     NO! As a matter of fact, I think that this is by far my favorite film adaptation of C.S. Lewis' Narnia tales out of all of them. And, trust me, I've seen 'em all.

    It got the emotion and the raw humanity of the story in a way that no adaptation since has been able to capture. They had Douglas Gresham (C.S. Lewis' stepson) on the board as a consultant and it really shows through the attention to theme and detail that shines in this film. They even got the bluebottle fly that was buzzing on the windowsill of the spare room, and if you look at the carvings on the wardrobe you can see that there is a panel for each of the other Narnia books.

    Whenever the film started out with the bombers, I honestly thought that either the projectionist was drunk or that I had walked into the wrong theater. Then it dawned on me...DUH! The story is set during WWII, of course there's going to be the Blitz going on! I love that they included this in the film because it not only sets up the family situation, but it also adds some gritty reality into this fantasy film to help ground it in some semblance of reality and make it easier to relate to.

     This film really nails the sibling dynamic between Peter, Susan, Edmund, and Lucy. I like how the introduction with the Blitz and then the evacuation set up each of their characters and the situation they were living in without the need for a lot of exposition. It helps that all four siblings are perfectly cast and really work together well. William Mosely is the perfect big brother - supportive and protective while Anna Popplewell balances him out as the logical, caring older sister. Skandar Keynes and Georgie Henley play the younger siblings very well and help to flesh out the family dynamic and bond. Because the children auditioned together and were given time to become friends and get to know each other before filming started, the chemistry and rapport between them is spot on and really translates over to their characters.

     And can we talk about how perfect James McAvoy was as Mr. Tumnus? I haven't seen him in many things (I think the only other big role was in the X-Men franchise) but I feel that he is a vastly underrated actor. Certainly he embodied what I had always visualized when I thought about Tumnus and he just threw his heart into the project and acted his hooves off. (Haha.)

     Something needs to be said about the musical score too. From the use of 'Oh, Johnny' to the darkly haunting 'Narnian Lullaby', this is a score that takes me right back to childhood every time I hear it. It is beautiful and wondrous and extremely well-blended in to all of the themes.


    Looking back, that scene where Mr. Tumnus lures Lucy back to his cave and lulls her to sleep with tea and music is slightly disturbing...anyway! Moving on!

     I feel like this film really handled the more religious undertones of the story too. There is no getting around it - the Narnia tales are essentially allegories. Lewis himself described them as 'what if' stories detailing what the Christian faith would look like if it took place in another world. So in order to tell the story right, you really have to include those elements. The trick is to do it without being heavy-handed and letting those tones bog down the story and ram things down viewer's throats. That is not easy to do, but I think they handled it all with grace and respect. The themes are there, but they're never overdone or oversimplified. They don't attempt to explain them away, but instead let the viewer interpret them as they will and, really, the events speak for themselves. Aslan is as much a wise mentor as he is a Christ figure - so, depending on your beliefs, you can look up to him either way. The same goes for Edmund, the traitor, and The White Witch. All of the original elements from Lewis' mythos and stories are presented utterly unapologetically and just as they are. And, as a result, the message and feel of the original shine through despite the minor tweaking.


     A lot in this story is devoted to the relationship between the four children and the severing/healing of their bond as they go through the trials and battles of Narnia. It is a learning experience for them and one that they come out the other side of stronger for it. This film portrayed that beautifully. The visuals were stunning and the music perfectly complimented each scene so that I was swept up in the emotion of it every time. The characters were all perfectly cast and were true to their book selves even while they were expanded on. Really it remains one of the best book-to-film adaptations that I have EVER seen. Every time I watch it I am transported back to whenever I was a kid and my mother was reading these books to me and every time I watch it I get that same magical feeling of discovering the land at the back of the wardrobe for the first time. It really is a wonderful film that any fan of fantasy should check out and it is a shame that it is so overlooked. The Chronicles of Narnia: LWW is a 5/5. But the less said about the sequels the better...



What did you think? Do you agree with my rating? If not - what would you say differently?

Sunday, September 21, 2014

Film Review: The Adventures of Huck Finn


**Spoilers**
If you have not yet seen this film, please go and do so before proceeding


            Mark Twain is definitely my favorite American author and there are few books of his I enjoy more than The Adventures of Tom Sawyer and its longer and still more acclaimed sequel The Adventures of Huckleberry Finn. I love Twain's sarcastic, perceptive prose and the very atmospheric, interesting stories he weaves. But because I so dearly adore the books, most film adaptations just don't quite manage to live up to the experience I get whenever I read them. That is where the 1993 Disney adaptation starring baby Elijah Wood comes in because, honestly, it is the best film adaptation of a Twain book that I have ever seen.


Favorite Moments & Random Thoughts:

- I love the way this film starts off, with the woodcut illustration credits. Another Elijah Wood Disney film (Oliver Twist) uses the same trick. Was this a trend at the studio or something?

- "Personally I can't see no glory in whupping an ignorant lardass." The dialect used in Twain sometimes takes a bit of getting used to...but it certainly adds a lot of immediate character. 

- Elijah Wood is quite young in this film, but he just absolutely knocks the role out of the park. He really manages to get the whole 'face of an angel, mind of the devil' aspect of Huck's personality across.

- The two old ladies Huck lives with in the beginning of the film are a real riot. Miss Watson is stern and suspicious and as willing to box Huck's ears for misbehaving as she is to hug him. Widow Douglas, on the other hand, is perfectly willing to coddle him because she knows, for Huck, that is punishment in and of itself. I like her. She's sneaky.

- I appreciate the way that this adaptation doesn't shy away from the uglier aspects of Huck's personality. In the original he lies, he steals, he smokes, he swears, he's prejudiced against Jim, and he's exceedingly selfish and self-protective. And that's all a part of his character here and I am SO grateful that they didn't try to 'clean that up' in order to make him into a role model or something. Because that's not who Huckleberry Finn is. He is so compelling because he is self-protective and selfish. Unlike, say, Charlie from Charlie and the Chocolate Factory, he's not some angelic little waif with a heart of gold who instantly brightens the day of everyone about him with his selflessness. He's bad to the core and he knows it. In fact...he's proud of it. That makes us root for him all the more whenever he has to make a choice between the right thing and the wrong thing. He's not perfect, so we want to see him do well. 

- The ugliness of what happens to him isn't toned down at all either. His Pap is still an abusive alcoholic who, in a drunken fit, kidnaps and tries to murder Huck who only escapes through his ingenuity and willingness to get his hands dirty.

- "I ain't no angel, Pap. You can ask Miss Watson!"

- Huck faking his own death always makes me grin. Smart kid.

- The cinematography is just beautiful. The sunsets on the river, the green of the foliage, the blue of the sky, the way the shots are framed...wow. Absolutely gorgeous!

- The score is pretty awesome too. It would have been easy to go with a banjo sound or some kind of 'current' soundtrack...but instead we're giving sweeping strings and a sound that is as timeless as the Mississippi River itself.

- I love the way this film manages to go from playful to tear-jerker at the drop of a hat. Case in point being the scene where Huckleberry finds out that Jim has become a runaway slave and has to decide whether or not to help him. He eventually decides to help, though he does grumble a lot and utter more than one "Hell's bells!" as he debates with himself.


- Jim sends him for supplies and, since Huck is 'dead', he has to disguise himself. *snort* He looks better in that pink frock than most girls would.

- "I might end up being a murderer myself one day." It's rather sad the way Huck is so pragmatic about what he might one day be driven to make his career.

- This film really gets the slavery issue (especially the deep-seeded mentality behind it) across really well without shoving it down our throats. Huck is constantly battling himself over 'doing the right thing' and turning Jim in or 'giving himself a one-way ticket to Hell' and continuing to help his friend. This extremely skewed way of thinking just highlights the problem without making it too obvious that is what they are doing. This script is extremely smartly written.

- I love Huck's lie to the bounty hunters about how his whole family has the pox. Ewwww. That just sounded nasty!

-  Parlay vu francine?! Geeze, Huckleberry, your French pronunciation is worse than mine...

- Alas poor Billy...he didn't even know what he was fighting the Shepherdsons for. The death of this boy happens off screen, but it's somehow worse whenever we're just seeing Huck's reaction and his then finding the body of his dead friend. This movie really doesn't try to tone down the darker aspects of the book (feuding, slavery, prejudice, etc.) but it does to an excellent job never painting this issues in black and white. Nobody's really a cartoon villain. It's more about human nature than anything else.

- The Duke and The Dauphine...gotta love 'em! They are two of my favorite literary characters of all time and I will forever be sorry that I didn't get to see this version of them act out the 'tent meeting' that Twain includes in the book. It's very irreverent...but oh so funny!

- Their names take forever to type, though, so now I'm going to refer to them as 'D&D'.

- They offer to teach Huck the 3 E's...robbery, forgery, and burglary.

- "He only murdered me!" I probably shouldn't find that so funny...

- So, SPN fans, fun fact for you: Curtis Armstrong (the man who plays Metatron) was in this movie as a big-mouthed drunk flathead that D&D pump for information. I'd recognize that smile anywhere...

- Am I the only one cringing at the 'Swahili Warrior' get-up and concept?

- That whole affair was just...uncomfortable.

- "...the damn dog next door." This becomes a running gag in Act 3 of this film...and it never gets old.

- Susan (the youngest Wilks sister) is hilarious. I'm ever so glad that the screenplay writers didn't make the choice to set her up as a love interest for Huck...even in a kiddy kind of way. Oh thank God! Not only would that be VERY CONTRARY to Huck's personality, but there would be absolutely no point to it.


- It is at this point that the film descends into mental hijinks and more lies than you can keep straight in your head. D&D have Huck over a barrel because they know who Jim is and what he was accused of. They also have dirt on Huck because he is implicated in their dastardly scheme even though (for once) he is nearly innocent. He doesn't want to see the sisters hurt, but he also can't abandon Jim and he's afraid of being tarred. Eventually he can take it no longer and tells Mary Jane the truth.

- Just in time for another set of Wilks brother to come into town and the whole thing to fall apart.

- "Personally, boy, I think you're just a damn good liar." "Well thank you for the compliment, sir."

- In the book the confrontation about the Wilks estate takes place close to the end of the second act, but in this film the last part of the book (rather superfluous, to be honest) is cut out and this is made into the climax. And what a climax it is!

- D&D are tarred and presumably run out of town or hung. Huck and Jim try to escape, but Huck is shot in the back and Jim - rather than leaving Huck to die in the woods - sacrifices himself for the chance to get his young friend back to a doctor. Jim is nearly lynched and Huck nearly dies, but both are saved by Mary Jane who knows the whole truth now, thanks to Huck's earlier choice to be honest.

- I'll admit that I don't cry during a whole lot of films, but I sure tear up a bit during this climax when emotions are running high and the tension is nearly unbearable. Even having read the book and knowing how it turns out, I was on the edge of my seat. It's just that good.


            This film is just a joy every time I watch it. The acting is superb, the visuals are stunning, and the music only helps to enhance the high emotion of this great story. It is the best adaptation I have ever seen because, despite the changes made in the adaptation process, manages to retain the charm and message of the original perfectly because it shows great respect for the source text and for the issues that the book dealt with. It has a great message about prejudice, loyalty, and questioning societal norms instead of just accepting them at face-value. The Adventures of Huck Finn is a classic and a 5/5.


What did you think? Do you agree with my rating? If not - what would you say differently?

Wednesday, July 30, 2014

Top Ten SPN Character Introductions


        Characters are the vital element to making any story work. If your characters are off, it doesn't matter how good the rest of the show is because it is going to fail. If the audience can't get invested in the characters, then they're really not going to care whether or not the good guys succeed or die. 

        And one of the key parts of getting the audience invested in the characters is the introduction you give to them. Any good character will usually have an intro that makes the audience sit up and take notice. Where would we be without Gandalf's introduction from The Hobbit? Would Hagrid have had the same impact on us if he hadn't come speeding in on that flying motorbike? No. Probably not. Introductions are SO important!
       Here be spoilers...


10: Jo & Ellen Harvelle (Season 2 "Everybody Loves A Clown")
         I'll admit that I warmed to Ellen long before I fell in love with Jo, but these two tough ladies definitely had a memorable entrance what with the Winchesters breaking into their bar around noon and both girls managing to get the drop on our boys and hold them at gunpoint for an interrogation. Not only does it cement the Harvelles as tough, no-nonsense women of action who can hold their own in the hunter world of dudes, but it's also funny as all get out! Not often does someone manage to outsmart both Sam and Dean, so I laughed and laughed whenever this happened.


9: John Winchester (Season 1 "Shadow")
        John's introduction is certainly memorable. For most of the first season the story is all about Sam and Dean searching for their elusive father and running into hunts along the way. We had heard so much about John, whether through Sam's rants or Dean's hints, that the character was built up HUGE. It could easily have been a huge let-down whenever we met the man himself, but no. Not only did he just pop in for a hug and a fight with the shadow demons at the end of the episode, but John Winchester also managed to live up to expectations and show us that he honestly does love his kids at the same time.


8: Charlie (Season 7 "The Girl With The Dungeons & Dragons Tattoo")
         Okay. So I think Charlie may be my favorite SPN character? Maybe. I'm still deciding between her, Gabriel, and Jody...but she definitely is close to beating the other two out simply by the fact that she's still around and only becomes more wonderful with each episode. But it was her introduction that really got my attention - dancing in through the door of Roman Industries to 'I'm Walking On Sunshine' and wearing a Princess Leia tee that I am so coveting! Charlie showed herself to be smart, resourceful, geeky, and very brave - all within her introductory episode. She's just awesome.


7: Lucifer (Season 5 "Sympathy for the Devil")
          Out of all depictions of the Devil I have seen in media, literature, and music...this is probably the closest to what we can imagine he'd be like if we should ever meet him. He's actually portrayed very sympathetically...a liar with honey on his tongue who professes to be more honest than the good guys and is willing to tell just enough truth to either make his lies stronger or to trick you into thinking the opposite of the truth. He acts very gentle and understanding and behaves as though he's just the neglected son (the victim) in this whole Heavenly muck-up. His introduction is no different as, like a shark, he chooses his prey carefully. He goes after Nick, a man who has just lost his wife and newborn baby to a burglary/murder, and starts gently integrating himself into the man's thoughts and mind. He slowly sinks in the tentacles of doubt and anger until he has his hooks into Nick and the poor man doesn't know which way is up and which way is down. Then he goes in for the kill by reminding Nick of the age-old question of "How can you say God is loving if he allows such terrible things to happen? Let me in. I can give you what you want, what you need." Deep stuff, absolutely wonderful and thought-provoking, and a perfect introduction to this version of the Father of Lies.


7: Dean Winchester (Season 1 "Pilot/The Woman In White")
         No I'm not talking about the scene where he breaks into Sam's apartment and wrestles him to the ground with a couple witty quips. That's not our introduction to Dean Winchester. No, our introduction comes much earlier in the pilot whenever a young boy kisses his baby brother goodnight and runs over to hug mummy and daddy. Then, mere hours later for him and mere moments later for us, that same baby brother is thrust into his arms and he's instructed to "Take your brother outside as fast as you can and don't look back. Now, Dean, GO!". Four years old, he doesn't question it, he just takes Sam and runs. That right there cements Dean's character to us as well as showing us his life's mission above saving people, above hunting things, above everything: Take Care Of Sammy.


6: Kevin Tran (Season 7 "Reading Is Fundamental")
          Getting struck by lighting and having the Word of God start resonating in your mind...it doesn't get much more dramatic than that! Kevin is only the second prophet we've seen on the show (the other one was Chuck, and the jury's still out on him) and we'd never seen one actually be activated before. Kevin is first introduced as the stereotypical over-achiever. He plays cello for exactly an hour every day, has his day planned out down to the second as to how he is going to study, practice, study, and drink a soda. That is all shook up, though, whenever the Tablet is recovered from the vault of the Earth and Kevin is irreparably drawn into the world of Heavenly War.


5: Famine (Season 5 "My Bloody Valentine")
         While normally I am annoyed or disgusted whenever films or shows try to delve into Biblical mythology (or mythology in general) because they tend to either over-simplify it, do it for cheap laughs or gimmicks, or just unapologetically get it wrong and mangle it beyond all recognition, I actually really like the way that Supernatural handled these elements. Obviously not everything was done right, but the stuff that they got right was a lot and was done REALLY right. The entrance of Famine was no difference. I think that Castiel's voice-over is even quoting directly from the Book of Revelations. Everything from the lighting to the text to the ominous music just serves to send chills up your spine and the feeling that there is an unstoppable menace coming settling in your heart.


4: The Trickster/Loki/Gabriel (Season 2 "Tall Tales")
      No I didn't just put him on this list because he's my favorite angel (Stop SMIRKING, Jessica!) No, ol' Gabe is on my list because of his introduction. At the time of his character's creation, I don't really think that Kipke and the rest even had the idea for the angels yet...he was just an ambiguous demi-god with a fondness for sweets and pranks. We first get a glimpse of him whenever an adulterous professor is flung from a second-story window to his death and, at the time, we have no idea that this janitor is the one responsible. The mystery only grows from there...


3: The Ghostfacers (Season 1 "Hell House")
       I did a Google Images search for 'Harry and Ed' which was really dumb, apparently, because all I got were a bunch of pictures of 1 Direction and Ed Sheeran. Why, God, why?!  Not that there is anything wrong with Ed and Harry, it's just unbelievably frustrating whenever you're looking for one picture and instead you get myriads of others. Anyway. Rant over...on to Harry and Ed, co-leaders of the Ghostfacers. They were introduced all the way back in Season 1 during the truly epic prank war between Sam and Dean. They are supernerds, aspiring internet stars, and the co-runners/founders of the Ghostfacers.


2: Death (Season 5 "Two Minutes To Midnight")
        Can we say E.P.I.C.?! Yes. Few things can top the entrance of the Horseman, Death, on this show. Not only is the music and lighting and slow-motion and shots beautifully meshed together to create great atmosphere...but it's also Death. You know, that thing that the other three Horsemen bring about but don't control? Yeah. Super chilling!


1: Castiel (Season 4 "Lazarus Rising")
            I put this one above Death for one very simple reason: Castiel was built up better. Allow me to take you back five seasons to when we had no idea that angels existed in the SPN universe. I'll be the first to admit that I binge-watched this show and so haven't followed it from the very start (Gimme a break..I was barely in double digits when it started!) but I actually managed to avoid spoilers rather well. Here is what I knew about the show: It's about two brothers, the fandom has a gif for everything, they fight Lucifer at some point, and there's some dude named 'Cas' that everyone seems to love but who I think looks like Columbo in his younger days. That was it. So I was wholly unprepared for the TREMENDOUS build-up that Cas' introduction was given. So Dean went to Hell at the end of Season 3 and then wakes up in his coffin in this episode. The ground is nuked, grass scorched, trees knocked down, and Dean himself is sporting a branded handprint on his shoulder. Even the demons are afraid of this creature whose voice breaks glass and whose true form burns out a woman's eyes. It's cosmic and the writers spend the entire episode building up the reveal carefully so that tensions and expectations were high. And they did not disappoint!

Thursday, July 24, 2014

Why Write?



        Let's face it, fangirls and fanboys, most of us are not going to become rich and famous off of our writing. Oh sure maybe 50 Shades of Grey made the jump from Twilight fanfiction smut to horrible original fiction smut (judging from what I've heard), but that doesn't mean all of us will become so successful with our endeavors.

       So why write? Why should anyone even bother writing if they're going to end up as a starving artist living off of cereal and whatever they can afford to wash that cereal down with that particular week? Sheesh...for that matter...why do we spend our time writing these articles and reviews? We're not getting paid for it. Stories of people getting rich and famous off of blogging or YouTube are the exception, not the rule. So why bother in the first place?

      To answer that question, first we have to look at why on earth we would ever want to write in the first place. Are you just doing it to get rich? Well if you are, then you'd better either start writing cheap smut or get out of the business fast because you're probably not going to succeed. But if, on the other hand, you are writing because you love stories and building worlds and escaping from the wreckage and drag of day to day real life, then you are doing it right. For most of us our love of writing began at a fairly early age, even if we didn't know it at the time. Why? Because many writers began in their childhood as bookworms.

Disclaimer: I am well aware that this is not always entirely true. Plenty of truly excellent and talented writers came into the reading and writing scene much later than I did and have shown both more success and more ability than I do. I am speaking in general terms here. Many people who decide to go into writing, especially the writing of stories, got their start reading novels and comics as children. Got it?


       Many of us grew up reading (or being read to) and discovering that it could be more than just a dragging school assignment to read. We discovered worlds and universes and friends beyond anything that we could find here in the real world. Dragons, elves, stormtroopers, mutants, werewolves, wizards, talking animals, grown men and women in spandex...the list just goes on and on.

        But for many of us, as we grew older, playing in those sandboxes and visiting those worlds wasn't enough. We reached the end of our beloved book series' (and the corresponding films) and either found that we couldn't bear them ending or had little interest in the supernatural/dystopian renaissance in fiction. Which meant that we had nothing to read.


          Some of us then grew out of the bookworm phase, others learned to adapt our preferences and interests to follow the changing times, and still others graduated from reading to seriously thinking about writing. There's just something so magical about sitting down and sketching out an idea on paper, watching it slowly take shape and a mind of its own as the characters come to life and the world begins to expand. You choose every word and phrase carefully to mold the idea into something that will draw others in and make them want to return again and again. That's the miracle of creating a story, no matter what it is. Writing shouldn't be taken lightly. It's not something that can just be dashed off. It takes thought and care and a certain amount of dedication.

       But, of course, stories are not the only forms of writing and writers don't always start out as bookworms. I did...but I'm quite aware that I am not the archetype for the whole world. If creating stories isn't always how people get into writing, then what is? Really when it comes down to it, no matter what you're writing, it has to be because you see something in the world and have something to say about it. You are expressing yourself, much in the same way others do with music or dance or fashion.

        Some of us write about fairies; others of us write about algebraic equations. Some of us write poetry; others of us strictly stick to prose. It doesn't matter what you write or how you choose to format it and, to a point, it doesn't even matter if your English and grammar isn't utterly squeaky clean and perfect...because every time you write you get a little bit better at everything. Better at explaining your emotions, better at describing a scene, better at writing dialogue, better at analyzing a film or television show, better at rhyming words together in rhythm, better at creating a cohesive argument - you just get better at everything. As long as you love what you're doing, have something important to say, and are willing to listen to critique and constructive criticism, you're going to be improving every time you sit down and put words on a page.

        And guess what's even better! Not only will your writing skills improve every time you practice, but your quality of life and understanding of the world at large will as well. Have you ever heard the saying that "...in order to write, you have to read..."? Well I'd like to add a little something to that: "In order to write, and write well, you have to be willing to read and you have to close your mouth, use your ears/eyes, and observe people." It doesn't matter if you're writing a story or just an essay on toothbrush scum, understanding people is vital to being able to write and draw people's interest. You have to be willing to read at least something (be it a textbook or a novel) and absorb different writing styles and techniques. (This will also help expand your vocabulary beyond 'like' and 'so they said'.) You don't have to be a bookworm about it, but you do have to read at least something...even if it's just a script for your favorite television episode. The second thing you have to do is to open your eyes and look at the world around you. Why? Well because you can't just write about yourself! True there is a need to make things personal and to express your viewpoint and message in a clear way, but you also have to look at things from both side of the spectrum and at least consider what others are going to think/feel/react to whenever reading what you have to say. After, what's the worse thing that could happen: you might actually have to unplug your iPhone and listen to someone?! Oh the horror!

        My parents always said that "God gave us two ears and one mouth, so clearly he intended us to listen twice as much as we talk." (I'm paraphrasing...) Granted that was an occasionally hard lesson for motor-mouth me to swallow as I always had an opinion that I felt was worthy of acknowledgement, but I know that in the long run it has served me well. Certainly one gains more juicy material for writing sitting quietly in a room and watching others bicker and/or make fools of themselves than one would by jumping on the bandwagon and joining in.


       So we've talked about the benefits of world-building and of observing life, but what are some other reasons one might want to take up writing? Well...how about community? Yeah. Believe it or not, not all of we 'starving' artists live our lives like Christian from Moulin Rouge - depressed and angsty and drunk because we lost the love of our life that we knew for an hour before declaring ourselves to be in love. That's a rather romanticized vision of what artists and writers across the globe end up as. Really, usually we're a bit nerdy and a bit geeky (not that that's a bad thing) and because nerds and geeks must band together and have conventions and contests and debates as to whether Picard or Kirk is better, writing comes with community. It doesn't matter if it's 'fandom' or not, there's always going to be someone else out there who is also looking for a writing buddy and who will look over your work and tear it to shreds and then tape it back together looking better than before (and then usually ask you to do the same to their work). You meet some great people because you all have writing in common. And the really cool thing is that sometimes they are people that you never would have interacted with normally...but because you've found a common love for writing, you become friends and you get a whole new insight on life.


        So why do I personally write? I'd say that some of the reason is for the community aspect. I've met some amazing people through my love of writing and, of course, I've got my awesome team right here on this site. Friends, colleagues, and all-around lovely people they are...and I probably never would have met them if it weren't for writing.

        But that's not the primary reason I write. And other people shouldn't be the primary reason you write either. If you're just writing to please another person, you're either under a terrible contract or you're doing it wrong. Some writing, if you're so lucky as to make a career out of it, will have to be done to fill a mandate and pay the bills. That's a fact. But the reason you decide to write in the first place shouldn't be because someone else wants it. You should be writing because you love it. But more so even than that you should write because you have something important to say and you want to be sure that you get to say it. The written word is more powerful than the spoken one, after all, because it lasts longer. We can read documents from thousands of years ago even though the original people to dictate and write them down are long since dead and buried. So why do I write? I write because I look around the world and see things that, come hell or high water, someone needs to say. Life is too short, I have way too many ideas, and there are so many things in the world that never get looked at because everybody returns to the same old clichés over and over again. I write because I'm expressing myself (and somehow putting pen to paper seems better than getting forty tattoos and piercings that are going to sag and be regretted in 30 years anyway) and because I think it's important to speak about what you think and see in the world in an intelligent and interesting way.


          Like I said, life is short. Try to do what you love. Granted don't be stupid about it (this is about writing, not about YOLO or whatever) but if you have something to say, find a clever and intelligent way to say it. And it doesn't matter if that is in a script, in a book, in a poem, or even in a tweet...writing is about expressing your thoughts, dreams, opinions, and ideas.

        So no...writing just to become famous or writing to get rich is a pointless exercise. It's probably not going to happen. In fact, many famous writers that we look up to today died in poverty. That's the way it usually works; unless you're willing to gain fame by keeping up scandal after scandal and making yourself infamous, probably in your lifetime you're not going to be king (or queen) of the world. So is it worth to write in the first place? YES! Why should we even bother? First of all it is wonderful for personal enjoyment. World-building is great fun and helps you show your appreciation for something you're a fan of. Secondly it improves your mind by making you examine things from different angles and consider opposing viewpoints by observing people and the world at large. If more of us did this there would probably be less hate and vitriol spread around...just sayin'. Thirdly there is the community aspect. You'll meet some AMAZING people through writing. Fellow authors, students, bloggers, editors, teachers...we're all brought together by a common love and purpose. And lastly, and most importantly, you have something to say about this world. Everyone can have an impact and you never know just how important that observation or idea may be until you put it out there. So to sum it all up, what is the answer to the 'why write' question? You don't write because you want to become rich and famous...you write because you have a passion for it and because you have something to contribute to this world.



Wednesday, July 2, 2014

The Squirming of Emily


         Hello, there; Jessica, here! Nice to see y'all again! How's it goin'? Anyways, this is a rather special blog-post, this one... One where I get to get Emily (who's been a total hermit about herself thus far, hasn't she?) to spill her deepest, darkest secrets and desires about herself. You are not gonna want to miss this! So, read on m'dears, and enjoy...*grins evilly*...rather like this:

*Emily is dragged kicking and screaming to the podium and fed a vial of Veritaserum*

Emily: I hate you for this, you know that? Should have known I was getting myself into hot water...okay, fine. I can do this. *takes a deep breath* Can I at least have some free coffee to compensate me for emotional trauma?


Jess: *ignores that* Okay! First fandom ever?

Emily: The Lord of the Rings.

Jess: What is your favourite fandom?

Emily: Uhh...this one varies?

Jess: Who was your first fandom crush?

Emily: I should have seen this one coming...do I have to answer?! *sees look and threatening bottle of truth serum* Right. Sorry. Um. Hmm. Uh. Hem. Haw. Does this mean first nostalgic character I noticed was interesting or first character I actually admitted to liking?

Jess: Yes

Emily: To which?

Jess: The latter.

Emily: Darn it. And here I was hoping I could get away with waxing poetic about Disney's Robin Hood! Okay. I can do this.


Jess: Told you.

Emily: Okay, fine. First fandom crush...um, I'm going to say Peter Pevensie? Not the Peter from the films, those didn't come out until I was older and he was a jerk anyway, but the Peter from the books and the audio dramas. I'm not even entirely certain if it was a 'crush' or anything like that, usually I don't think of characters like that, but I certainly admired him. To rephrase things a bit, I liked Peter a lot and for a long time he was my favorite character from Narnia. Does that fit?

Jess: Sure. Current fandom crush?

Emily: You should know that I really don't like you right about now...anyway. For a current fandom crush, if I absolutely HAVE to answer and pick someone, I'd have to say Loki. No. Not THAT Loki...I mean Gabriel from Supernatural. I mean, he's pretty awesome. Sure he's a bit of a jerk and plays pranks on the Winchester boys, but he's still hilarious. And his heart's in the right place. We think. We hope? Maybe. Who knows!

Jess: Seriously?

Emily: Oh, and there's also Hawkeye from The Avengers. He's a pretty cool character whenever you look at how he's written. So is Quicksilver from X-Men. And...uh...hmmm. They are certainly some of my favorites. Lots of fun to watch and plenty of witty quips.

Jess: O...kay.

Emily: Oi! You asked!

Jessica: Sherlock or Sam Winchester?

Emily: Sam the whole way! Sherlock and I would probably end up killing other. Of course maybe hanging out with Sam Winchester wouldn't be such a good idea either, considering his luck. Hmmm...

Jessica: The Doctor (9, 10, 11) or Dean Winchester?

Emily: I'd have to say The Doctor. People just die less around him, if you can believe that, and I'm nothing if not a  practical woman. I'd like to keep my guts where they're supposed to be and un-possessed, thank you very much!

Jess: Which is your favourite hobbit?

Emily: That depends on whether we're talking books, audio, or film. But I have a feeling you mean from PJ's films, so I'd have to say Pippin. He's just so adorable and cute and has a great character arc and...yeah. Pippin.

Jess: Sure he's not your crush?

Emily: Quite sure.

Jess: Favourite character in the world?

Emily: Whoa, whoa...hang on! D'you mean real-world? Or just in the world of media and literature in general?

Jess: Media in general. But your answer to the other one'd be interesting to see as well...

Emily: Ehh...let's just stick to media in general, shall we? I would have to say that my favorite character of all would have to be...shoot. How am I ever to decide? It changes from year to year. Right now I'd have to say it's a cross between Charlie Bradbury from Supernatural, Elizabeth Bennet from Pride & Prejudice, and Reepicheep? Yeah. Let's go with that. Although I also love Donna Noble. And Mary Watson. And Gandalf. And...uh, I can't decide!

Jess: Fandom that has made you cry the most and why?

Emily: The show Supernatural never fails to make me cry. All fandoms live off of feels...but this one is just engineered to churn them out in droves. It takes a LOT to make me actually cry over a television show, let me tell you, but for some reason this one does it every time. Between the whole theme of family and loyalty and betrayal, there's also that little fact that nothing ever goes right for the Winchesters (it's almost like A Series of Unfortunate Events...only less hilarious) and the brotherly love and they keep dying and being brought back to life for a price and all the forces of Heaven and Hell are stacked against them and all they want is to just save a few lives and live together without destiny hanging over their heads and tearing them apart and...and...yeah. I'm going to shut up now.

Jess: Best season finale of SuperWhoLock you've ever seen?

Emily: Hey! That's not entirely fair, given that all three shows are still airing. But I'll go down on the record for what I think is the best so far. For Doctor Who, hands down, the best is The Pandorica Opens/The Big Bang. For Sherlock the best finale was The Reichenbach Fall. They're going to have a mighty hard time topping that ever. My advice would be to not let Moffat write the series finales until he gets his act back together. As for Supernatural? Hmmm...that's a bit harder to decide. Honestly it comes down to a contest between Swan Song of Season 5 and Sacrifice from Season 8. There. Am I done?!


So, there you have it. Emily has spilled her beans, and is now sleeping off the effects of the three hundred vials of Veritaserum we had to use...I don't even know whether she's breathing or not...Ummm. Yeah. O-kay... *runs off to take Em's pulse*