Saturday, May 31, 2014

Merlin Review: Series 2 Episode 9 "The Lady of the Lake"

By: Julian Jones


**Spoilers**
If you have not yet watched this episode, please go and do so before proceeding

            I am not a big fan of romance stories. I am not a big fan of one-note characters. And I am DEFINITELY NOT a big fan of one-note episode romances starring nearly one-note characters! So why do I like this episode so much...?

          Probably for the same reason I love the rest of Merlin, despite the clichés and many, many plot-holes. There's just a campy, fantasy charm to this series that carries me through even the worst of episodes. The Lady of the Lake, however, is definitely one of the better ones. What's the story? Well a bounty hunter named Halig comes into Camelot to collect his money from King Uther for the druid girl he has captured and chained up in his cart. Merlin being Merlin (the wizard with the worst luck in the world) comes across this girl as she shivers in the rain and, being a sympathetic, dewy-eyed sap, frees her and offers her a place to hide. The girl tells him that her name is Freya and over the days that follow, the two of them form a friendship and eventually fall in love.

        Like I said, normally this would be the sort of episode that I groan and roll my eyes to the kitchen and back over, but in this case it just works. Most of that can be attributed to Colin Morgan and Laura Donnelly who play their characters with such heart and charm that the performances alone create realistic and lovable personalities. I guess I'm just a sucker for a lovesick Merlin dancing around Gaius' rooms and humming (off pitch, I may add) while planning the best way to sneak off and see his new girlfriend. It's just too cute.



Favorite Moments & Random Thoughts:

- Right from the start of the episode, we know that something interesting is going to happen. A bounty hunter comes into Camelot, stopping at a tavern for some (very) greasy meat and booze while his prisoner shivers outside in the rain.

- That was his first mistake because Merlin, heading home from night rounds with Gaius, sees the girl and immediately forms a connection to her because he realizes that one day he could be the poor soul chained up and waiting execution. So later that night, against Gaius's orders (of course), he sneaks back and frees her from her cage. They run into the catacombs to hide just as Halig (the bounty hunter who must have taken a SWEET LONG time at dinner) finally emerges from the tavern.

- It's not exactly love at first sight. She's skittish and afraid of him, he just gives her his coat and leaves with promises of food tomorrow. So far, so good.

- Poor Merlin and Gaius don't have any decent food in their rooms at the moment (that apple was decidedly sad looking), so Merlin does the only logical thing and steals from Prince Arthur...leaving the apple and hunk of rock-like bread behind instead.

- He claims that it's only so that Arthur doesn't get fat.

- The stealing food theme only gets funnier as the episode goes on:



- I love the way Gaius always knows just the right thing to say to be both cryptic and foreboding. "I dread to think..." Come on, man! Could you be any more cheerful?

- I hate to think what Halig would have done to Merlin if Arthur hadn't come along to save him just at the right moment. For all Arthur pokes and prods and teases Merlin, he's really quite nice to his servant. And what does Merlin do? He calls Arthur fat. For the second time in this episode. And it's hilarious.


- "See? It's working!" I love the look on Arthur's face whenever Merlin skips out of the room after delivering that zinger.

- I've always wondered why Merlin didn't just steal food from the kitchens for Freya. Hmmm...

- Right from the first animal attack, it was fairly obvious that it was Freya who was doing the killing. The timeline just fit too well and, coupled with Halig's report of even the druids being afraid of her curse, the culprit was a no-brainer. But that didn't ruin the story. Rather, it heightened the tension as we all began to realize that our poor lovebirds were going to end in tears.

- The question was whether or not Freya was evil and just playing the damsel in distress or if she was really the victim.

- The scene where Merlin accidentally creates a rose for her is just too cute.

- One thing I love about this couple is the sweetness and, dare I say it, innocence of their relationship. It's very refreshing and well done, I think.

- "And if this was done by neither a man nor beast, there's only one other explanation. It must be the work of a magical creature." Hmmm. I don't know about that, Uther. Couldn't there be some other explanation? Do you always have to jump to the 'magic and enchantments' conclusion? The fact that you were absolutely right in this case has no bearing on my argument whatsoever.

- I'm not ashamed to admit that I get a bit teary-eyed every time Merlin and Freya are envisioning the safe place that they can run off to together. Guess there is an incurable romantic hidden somewhere within the darkest recesses of my heart after all.

- "Being different's nothing to be scared of." And there's a quote that everyone should take to heart!

- Have I mentioned that Merlin in love is ADORABLE?


- It cracks me up that now Arthur thinks Merlin spends his spare time either (a) in the tavern or (b) stealing Morgana's clothes to play dress-up.

- To be fair, the color of that dress really did suit him.

- It looks prettier on Freya, though. And Merlin makes sure to tell her so.

- It is here that Freya's character is changed from borderline-damsel-in-distress to fully-fledged, real personality whenever she tricks Merlin into leaving her alone so she can slip away without him because she doesn't want to take him away from his good life in Camelot. She doesn't want him to give up his life for a cursed girl who's probably going to end up accidentally killing him anyway. So she does what she thinks is best for him. I will forever love her for that scene and my heart just broke whenever she sadly smiled and said, "Goodbye, Merlin."

- The rest of the episode just builds and builds up to a sudden emotional climax where pretty much everything that could go wrong does (short of Arthur finding out about Merlin's magic) and it ends with the bounty hunter dead and Freya, in her were-panther form, being stabbed in the shoulder by Arthur.

- Merlin could tame Freya when she was a beast. I guess love really does conquer all.

- Some people have complained that a wound that left the beast healthy enough to fly shouldn't have killed Freya or wounded her beyond healing. I don't agree. One, when she changed forms back the wound probably would have stayed the same size...and her human form was considerably smaller than that of the beast. Two, she was stabbed through the shoulder. In the right angle and close enough to the chest, that can hit some major arteries, resulting in a bleed-out. And three, where exactly would she have gone for treatment? It's not like Merlin's exactly a whiz when it comes to healing spells or poultices.

- I love how Merlin remembered their dreams of a new home and made sure that the last thing Freya saw was them together in that beautiful place. He even dressed her in that fine gown.

- Yes. This episode is rough emotionally, even if you don't get behind the romance. Between Colin Morgan's crying skills and the great care put into contrasting with-Freya and post-Freya Merlin's moods, you're going to be feeling depressed by the end of it. But in a good sort of way. In a 'Fandom Feels' kind of way. If that makes sense...

- Poor Merlin! Freya will, in time, become just another name in the long list of people he's lost that he cared about. She does, however, remain his first and only love. He certainly never looks seriously at another girl again in the entire show.

- Here he gives her a burial fit for a queen, burning her in a boat (viking style) and forever binding her to the magic of the lake. It's one of the most beautiful scenes from the show and certainly one of the saddest.

- Gaius clearly feels guilty about having to tell Uther about Freya. But I can't blame him. She was killing people. He had no choice. At least in death she was set free from the curse 'to kill forever more'...

- What keeps this episode from being a total emotional train wreck, though, is the ending. Merlin, in a sharp contrast to his happy distraction from just days ago, is sitting on the floor mindlessly polishing Arthur's boots when Arthur comes in and sits down on the floor next to him. Now this is a very big deal. Not only is the Crown Prince sitting down next to a servant like they're buddies at a harvestfest, but he's also intentionally putting himself on the same level as his manservant. Why does he do this? Because he's noticed Merlin is down and is concerned. Granted he thinks it's because he threw a thing of cold water over Merlin a few days ago...but his heart was in the right place and he quickly makes Merlin (and us) forgive him for killing Freya with a kindly noogie to make Merlin smile again.

- It's the smile of satisfaction and the "There...that's better." Arthur gives at the end that really sells the scene. He's acting like a big brother.


          This episode is one of Merlin's best. The story is beautiful, the characters spot-on and wonderful, the cinematography and colors gorgeous, and the romance is something that even I really enjoyed. There are no gaping plot-holes. Nothing too dull or too out-there happens. It is a tragic love story that helps to further develop all the characters' stories, as well as setting up vital plot points for later. The Lady of the Lake is a 5/5.




What did you think? Do you agree with my rating? If not - what would you say differently?

NuWho Review: Series 5 Episode 1 "The Eleventh Hour"

By: Steven Moffat


**Spoilers**
If you have not yet seen this episode, please go and do so before proceeding.


             David Tennant had left the show. Russell T. Davies had left the show. We had a new Doctor, a new head writer, and an almost entirely new production team. People were by turns scared, concerned, resentful, and mutinous. They were angry that Tennant had left. They said that Steven Moffat would be the ruin of the show. They didn't like Matt Smith with his goofy hair and youngish appearance. (And they do realize that in that complaint they just described the favorite who had just left, right?) They said he was too young. They said he wasn't hot enough. Grumble, grumble, complain, complain, hate, hate, moan, moan, whine, whine, whine, boo-hoo. 

          In short, the Whovian community at large was not in a good place. Internally the producers of the show weren't even certain if it could go on with the departure of Tennant and externally the fans were all set to riot, boycott, and spam message boards across the world with their complaints.

       Personally, I had never bought into the Tennant hype (or the RTD hype...especially in his later years of writing season finales), so I was excited to see Steven Moffat - the writer of some of my all-time favorite episodes - take over the helm. I was also ready for a change from Tennant. Not that he didn't do a great job. Because he did. He brought something very special to the role and I love him in it. But Doctor Who is a show that thrives on change and it was about time we had one.
      
          Needless to say, however hard it may be to look back and believe it now, fans HATED Matt Smith whenever it was announced on Doctor Who Confidential that he would be the new incarnation of the Time Lord. Maybe not all fans felt this way, but most of the more vocal ones threatened to leave the show once he took up the TARDIS keys. It didn't matter that he hadn't even had one scene as the character yet...they were all set to hate him. Poor Matt!



Favorite Moments & Random Thoughts:

- I love the opening sequence of this episode with the TARDIS hurtling through the skies of London with The Doctor desperately clinging to the doorstep. Not only did it make the episode start with a bang, but it also gave us one last farewell to the London scene that Davies had favored before we switch over to Moffat's era.

- It's also a chance for Matt to show off some of his visual acting props and win over the still-reluctant fans.

- And gives us an excuse for a whole new TARDIS overhaul.

- So after that VERY exciting beginning, the new credits roll and we cut to the peace and quiet of a country garden and a little girl praying to Santa. Why she would be praying to Santa and not the traditional 'now I lay me down to sleep...' is a question I don't think we'll ever have answered, but it's still an absolutely adorable scene and a fine introduction to Miss Amelia Pond.



- The girl's prayer is interrupted, however, whenever The Doctor's ailing TARDIS crashes into her garden shed. I just love this introduction to the new companion. To my certain knowledge, we had never had The Doctor meet up with a child in this way before. And the fact that he will become Amy's childhood imaginary friend gives an interesting depth to their relationship and allows it to develop in a whole new way.

- Rather like him meeting up with Donna once long before she became the companion, we are able to feel a deep connection between The Doctor and Amy because they have known each other and known of each other for so long.
- This also gives us that laugh-out-loud hilarious food sequence. It rather reminds me of Tigger from The House on Pooh Corner. I wonder if that was intentional...

- In that other story, Tigger is hungry and needs something to eat for breakfast. After trying out honey, acorns, condensed milk, porridge, and even thistles, he finally settles on Extract of Malt of all things. At least The Doctor went for fish fingers and custard.

- The bits with Amelia and The Doctor cooking dinner and examining the crack in her wall are some of my favorite Doctor Who moments period. I love the way he's acting like a kindly old uncle, protective older brother, and fun-loving cousin all rolled into one. "You know when grown-ups tell you everything's going to be fine and you think they're probably lying?" "Yeah?" "Everything's going to be fine." He doesn't talk down to her, but he's very gentle.

- The Doctor, as usual, takes a while to get used to his new body. As he puts it, he's still cooking. Kinda makes you wonder if that theory that he literally imprints on the first face his new face sees is true. It would make sense as to why Eleven was so childish then, seeing as how the first person he saw was a child.


- I feel like the mystery with the coma patients was a bit underplayed. The doctor Rory talks to was far too irritable, given the situation (if it were me, I'd be worried about reports of coma patients walking around with puppy dogs), and she sort of disappeared from the story by the end.

- But, in the end, that's okay because the focus of this story wasn't the alien. No, in this story the focus was the relationship between Companion and Doctor - introducing and establishing the characters as people. And that part is done perfectly.

- I really want to know how Amy held her hair up so neatly with just that hat. Maybe it's because there's so much of it, but when I tried that it fell down the minute I breathed.

- "You broke into my house...it was either this or the French Maid!"


- I find it very funny how the entire village of Leadworth knows all about Amy's obsession with her Raggedy Doctor (including the cartoons she drew as a child). In a small town like that, you don't sneeze but that everybody knows about it.

- One of the things I LOVE about this episode (aside from the witty banter that I could actually enjoy without poking at plot-holes) is the fact that The Doctor is totally earthbound, left without a screwdriver, and has to use only his wits and his companions to solve his problem. No fancy technobabble nonsense about meta crisis'. No screaming civilians to create the tension that we're not feeling. No bippity-boppity-boo sonic screwdrivers moves. It's just all about the characters.


- Another thing I like about this episode is that it retconned the MANY Dalek invasions of London and Earth. I always found those episodes to be rather repetitive and silly...so naturally I get a bit of (probably vindictive) pleasure out of an episode that takes place earlier in the timeline than those monstrosities and with companions who don't know about them.

- It's also refreshing to see humans react in a more realistic way to a spaceship in the sky - i.e. taking a picture with their phones.

- The Doctor stealing Jeff's laptop to write up a computer virus that he will send to all the governments of the world (Where was UNIT in all of this?) made me laugh. As did the Getting Crap Past The Radar comments about Internet history...another staple of Moffat's.

- I really want to know what became of Jeff in the end. He seemed like a decent kid. Did he get that high-profile job?

- Rory Williams...I seriously think I'm in love. I've always said that Rory is what Mickey Smith should have been. The comparisons are inevitable...but Amy is much more likable than Rose and Rory gets a better rap character-development-wise than poor Mickey was allotted. The Doctor is nicer to him too.

- Prisoner Zero is an appropriately creepy exposition machine. "The Pandorica Will Open. Silence Will Fall." And there's our season arcs for the next few years. Moffat played a long, LONG game...setting things up all the way back in The Girl in the Fireplace with Reinette's observations about The Doctor's name. I'm just amazed by that. He always had a plan in mind.

- This season had a higher SFX budget than the ones before. It was also shot in high definition. And it really shows. Everything looks crisp and clean and the effects on Prisoner Zero, while not perfect, definitely look amazing for this show.

- "You just summoned aliens back to earth. Actual aliens. Deadly aliens. And now you're...taking your clothes off. Amy, he's taking his clothes off." Believe it or not this scene actually caused quite a bit of controversy. Funny. People didn't seem to mind so much whenever it was the Tennant meta crisis wandering around naked...

- There's probably something symbolic about Matt stepping through 10's face and saying "Hello, I'm The Doctor." I dunno. What do you all think?


           In case you haven't noticed, I LOVE this episode. It was a fantastic start to both Matt and Moffat's runs on the show and remains one of my favorites to re-watch just for fun to this day. I've always said that Season 5 of the revived show was its zenith, and it definitely got the right start here. The Eleventh Hour is a solid 5/5!



What did you think? Do you agree with my rating? If not - what would you say differently?

Thursday, May 29, 2014

Supernatural Review: Season 1 Episode 10 "Asylum"

By: Richard Hatem

**Spoilers**
If you have not yet watched this episode, please go and do so before proceeding.


            And the angst is upped a notch this week as the boys receive a mysterious text message with coordinates from their still-absentee father. Dean, of course, immediately asks how high John wants them to jump while Sam wants more information first. It is at this point that the picture of the Winchester family dynamic really begins to come together. You've got John - the stern taskmaster and leader. You've got Dean - the loyal soldier. And then you've got Sam - the rebellious questioner who is never quite happy to blindly follow daddy's plans. I don't blame him. Why is it that John can text but can't call? You can track a text message just as easily as a normal phone-call, you know. That just doesn't make any sense.

         At least it gave us the rather hilarious revelation that John Winchester, hardcore hunter, can barely work a toaster. I really want to know the story behind that comment...

       True to the title, this episode is set almost entirely in the old Roosevelt Asylum of Rockford Illinois. It's a dark and gloomy episode with a grey colour palate and some of the best jump-scares and creepy moments that the show has ever produced. If SPN was begun with the intention of bringing horror themes to the small screen and putting them into a suburban atmosphere, this is a place where they succeed. Majorly succeed. There were a few points in this episode where I found myself squirming and looking away. Not because it was particularly gross or anything like that (I think the worst thing we ever see is the old formaldehyde bottles in the doctor's office), but because the atmosphere is so overwhelming. The empty corridors, the ghosts that sometimes even Sam and Dean don't notice, the constant whispers and creaks, the shadows, the way the shots are set up, the whole bloody package is just wonderful.

      I don't know why anyone would ever try to spend the night at a place like that. Even on a dare. As Dean observes - doesn't anyone ever watch horror films? Even if you're not a blond, petite female it's probably wise to avoid any place marked 'Caution' and with a reputation for possible paranormal activity.



Favorite Moments & Random Thoughts:

- That cop was afflicted with what I like to call the Bloody Nose of Doom! It's that single trickle of blood from the old hooter that generally symbolizes something is wrong.

- We are given an indicator that not all is right between the Winchester boys within the first ten minutes of the episode whenever Sam and Dean have to play good cop, bad cop in a bar. They stage a bar fight that might not have been so staged after all. Dean jokingly calls Sam out on it and Sam, disturbingly enough, doesn't even try to deny it. Oh yeah...he's angry.


- "Lemme know if you see any dead people, Haley Joel." Somehow I feel like Dean is having way too much fun with jokes about Sam having 'The Shining'...

- And I repeat: why would anyone want to break into an old asylum? I've done many rash and foolish things in my life, but I just don't see the attraction. It's dirty and derelict and creepy. Besides, I know that in this universe, whenever local legend says a place is haunted you really should listen and stay away. Or at least take a supply of salt with you.

- Dean sending Sam to the psychiatrist's on a reconnaissance mission made me laugh. What did they talk about the whole time in there? Sam's clown phobia?

- So the south wing of Roosevelt is where everything started. Dean's line about how the chains were probably more to keep something in rather than keep someone out was creepy...but I want to know who thought of putting pure iron chains on that door. Did John do that? Did another hunter? Because the chains would have to be iron in order to keep a ghost contained, right?

- An asylum riot. Now there's a nasty thought right there!

- "If there's only one thing that makes me more nervous than a pissed off spirit, it's the pissed off spirit of a psycho killer." Well said, Dean!

- That boy was a real jerk to take his girlfriend on a date to the old asylum like that. Not romantic or cool at all. Doesn't he know that blonds always die first?
- The young couple (Gavin and Kat) were interesting. Though it was Gavin who initially wanted to explore the asylum, in the end he turns into a gibbering pile of mush and Kat, the blond who in normal films would be the first to shriek and get killed, is backing up Sam and Dean with the rock salt shotgun. Nice little roll reversal there. 

- I also laughed whenever she told him that "If we get out of here alive, we are SO breaking up!"

-  Of course the big kicker to the episode happened whenever all of the wandering around corridors just started to get old and Sam gets a phone-call from who he thinks is Dean and heads to the cellar where he is caught and possessed/brainwashed by Dr. Ellicot.

- Sam gets the Bloody Nose of Doom too.

- I jumped a bit whenever Sam shot Dean. I had been waiting for the almighty power of brotherly love to overtake the mad ghost's programming...but it never happened. And I'm glad that it didn't because that would have been the fake-out of all fake-outs and would have been to the episode's detriment. It wouldn't even have been a fake-out. It would have been a COP-out.

- Good job the guns were unloaded or only carrying rock salt.

- I like the way Dean deals with Sam's affliction. You can tell that he's hurt (physically and emotionally) but he puts that aside in favor of torching Ellicot and taking care of the problem once and for all.

- And the episode ends on a cliffhanger with John finally taking Missouri's advice and phoning his boys. It's about time!


         This episode was a bit of a mixed bag. I loved the atmosphere, all of the references, and a few of the twists and turns - but at other times the story seemed frightfully generic and predictable. It was also kind of boring to just walk around an abandoned asylum for the majority of the episode. I enjoyed all the bits with Sam and Dean interacting and it was good to see John finally get in touch with them. Ten episodes is long enough to draw out the AWOL father plot-line. They needed to do something new with it. Asylum is a 4/5.


What did you think? Do you agree with my rating? If not - what would you say differently?

Wednesday, May 28, 2014

NuWho Review: Series 3 Episode 7 "42"

By: Chris Chibnall

**Spoilers**
If you have not yet seen this episode, please go and do so before proceeding.


         I don't understand why so many people say they don't like this episode. It is very different, I'll give you that, in that it takes place in real time (there's literally 42 minutes in the episode) and is confined to one space station with lots of corridors to run down (very oldschool Who), but that doesn't make it boring.

        One thing I really love about this episode is the atmosphere. From the claustrophobic corridors to the heat and dirt to the ticking time bomb of the ship's relentless pull towards that sun, everything about this episode just seeks to suck you in and make you wipe sweat off of your forehead in commiseration. There's also the living sun and the way it ruthlessly possesses the crew to pick them off one by one, finally culminating in taking over The Doctor himself. This is important for two reasons. One, it gives Martha a chance to redeem herself a bit from the past two episodes and two, this is the place where The Doctor has a full-on breakdown. That's more scary even than the glowing, scorching eyes. The fact that The Doctor is screaming and crying and begging for help in sheer terror suddenly makes the threat seem very real to us. It's one thing whenever we're just seeing endless red-shirts being killed off screaming. This is our hero, our leader, the man (alien) that we look to whenever it seems like there is no hope. The sight of him curled up in pain and fear and begging for death is deeply disturbing.


Favorite Moments & Random Thoughts:


- Right from the opening sequence the tension is on as we discover that there are only 42 minutes before the ship The Doctor and Martha have landed on crashes into a sun. The pacing is fast, the music is wonderful, and the atmosphere is set right off the bat.


- For all that we joke about the terrible graphics on Doctor Who (Hey...they're on a television budget!) I've found that whenever push comes to shove, the special effects department really does come through. Take the shots of the ship drifting towards the sun, for example. While I'll admit that the ship itself looks like something from a video game, the graphics really aren't any worse than those of the early Star Wars films. And the burning, seething, deadly sun looks absolutely beautiful!

- "...haven't those been outlawed yet?" "We're due to upgrade next docking." Uh-huh...sure. That's what they all say!

- And hello, Sergeant Sally Donovan! Before she appeared on Sherlock, Vinette Robinson was cast as a medical officer in this episode. She, like the rest of the crew, all do an excellent job. They have a tough job: to portray the destined-to-die red-shirts in a manner that will not only allow us to form some kind of connection to them before their untimely demise, but that breaths life into otherwise stock characters. Get it wrong, and we won't care a lick whenever they die. Fortunately, this crew is on the ball. And with the exception of that one brunette girl (the one that I'm still not entirely certain if she had a name) each and every crew-member feels like a real person.

- ...so the crew got drunk and decided to program the security system? How dumb can they get?! Aside from the fact that when you're plastered it's hard to type straight, they would have had to hope that nobody passed out and then experienced bender-induced amnesia the next morning. Yeah. I'm calling foul on that. It was funny, but it made no sense whatsoever.

- It was also just an excuse to have Martha utilize her new souped-up mobile phone to call her mother, thus shoe-horning in another appearance by probably the only character on this show that I find more annoying than Rose Tyler. Why me?!

- "Oh, TALK about dumbing down! Don't they teach recreational mathematics any-more?" Uh...if that's what you call 'recreational', doc, I'd hate to see what you call 'serious'. You were the one babbling on about 'happy prime numbers' at the speed of light.

- Much as I dislike her mother, I have to admit that I chuckled a bit in unholy glee over Martha's (completely justified) irritation at the phone conversation. We've all been there...

- The way the episode keeps cutting back to the ever-ticking-down clock is annoying...and only serves to remind us of the approaching fiery death. As if the heat and smoke and general hellish atmosphere didn't do that already.

- I know it's supposed to be a big, dramatic reveal and all that, but I burst out laughing every time at the smoking silhouette of Sally that was left behind from Colwin's attack. It looks like something out of a Tom & Jerry cartoon!



 -  Also, with that slit in his helmet and the deadly eyes, Colwin makes me think of Cyclops from X-Men. Cyclops' helmet didn't look so dorky, though.

- Dorky helmet or not, possessed!Colwin is still creepy.

- And they had to show him burning that guy alive with his hands, didn't they?

- I have to say that I love the little relationship Martha strikes up with that crew-worker. They really were cute together as they fought their way to Section 1 and got stuck in a jettisoned escape pod on the fast track to the sun. I'm glad it wasn't played up too much as a romance and more a buddy type thing except for that kiss at the end...

- I'm torn as to which is the most heart-breaking moment in this emotionally-fueled episode. Is it Martha and The Doctor helplessly sharing a silent look of desperation as her escape pod falls towards the sun? Is it Martha calling her mother in what she thinks will be her last minutes? Is it the captain sacrificing herself for her crew and dying with her infected husband? Is it the moment when The Doctor starts pleading and sobbing because of the sentient sun that is burning him from the inside out? What is it? With so many amazing moments to choose from, I don't know what to say.


          This episode is an amazing ball of atmosphere and emotion. True maybe the science isn't entirely right (even with heat-shields that ship would have burnt LONG before actual impact with a sun) and it pretty much just consists of people sweating and racing up and down corridors while they are picked off one by one, but the stuff that it does get right it gets really right. And there really isn't much to complain about. The special effects are quite good (for Doctor Who), the characters are mostly compelling, and the story set in real-time works a treat. 42 is a 4/5.



What did you think? Do you agree with my rating? If not - what would you say differently?

Tuesday, May 27, 2014

Supernatural Review: Season 1 Episode 9 "Home"


By: Eric Kripke


**Spoilers**
If you have not yet watched this episode, please go and do so before proceeding.

           And this episode brings us full-circle, dragging Sam and Dean back to their childhood home in Lawrence where Mary Winchester burned and their lives as Hunters began. Oh, yeah, and Sam is having premonitions too - freaky visions of the future that leave him with blinding headaches and the knowledge that someone is about to die horribly. Just when you thought his life couldn't get any worse!

         I am amazed at just how much foreshadowing is packed into this one little episode. If you thought that some of the lines didn't quite make sense, hang on because explanations are coming. If some of the actions and back-stories seemed strange, hang on because explanations are coming. If you cried when Sam and Dean saw Mary, hang on because we all cried with you. This episode is emotional and beautiful and I really don't know why, whenever I first watched the season, I didn't think much of it.

       Well...actually I do. Like I said earlier, this episode contains a lot of foreshadowing and leaves us with more questions than it answers. Usually stories where the characters go back home or back to ground zero (or both) are stories that fill in missing chunks of back-story for characters ad plot elements and seek to tie up loose ends. Home does none of those things. It doesn't tell us anything that we didn't already know from the pilot, it lays down plot elements for later in the show without bothering to explain them leaving us with questions, and is just generally a dark and sad episode in general. Also, I know it's a reference to Poltergeist and all that, but did we really have to do the arm in the garbage disposal?! That was just nasty...
       

Favorite Moments & Random Thoughts:

- The episode opens in Lawrence, Kansas with a woman and her two daughters moving into the rebuilt Winchester home. Just with that one piece of opening text and scenery, we're already on the edges of our seats because we know what happened in that house and we don't want to see it happen again. Add in a little girl who thinks she sees something in the closet of Sam's old nursery and you have have gripping but quietly understated opener!

- "Please, God, don't let it be rats?" The (rather morbidly) funny thing about that statement was that all of us pray exactly the opposite whenever we hear a skittering, knocking sound in a house on the show. Why is it never rats?

- The fact that the finding of the Winchester's old pictures (and what looks like a Father's Day card made by Dean) is juxtaposed by the eerie creaking of the closet doors and the manifestation of a flaming spirit makes for a game of emotional ping-pong. Are we to be nostalgic? Sad? Frightened? Curious? Everything at once? Usually I would complain about a scene that leaves me unsure of what to feel, but I think that it actually works here. Despite having the back-story of the Winchester family recounted to us in every episode recap, we really know little more than the new occupants of the house about what's going on here. So the fact that the focus is put squarely on Mary, John, Dean, and Sam is a good thing that helps draw us into the scenario.

- I find it interesting that Sam drew such a beautiful sketch of a tree in this episode when, in later seasons, he will struggle to play a convincing artist when Dean sends him in to gather information on a suspect. Case of mysteriously disappearing talent or just a sign that he wasn't paying attention in the later stories?

- "I have these nightmares...and sometimes they come true." Cue the game-changer for the entire series. Right here. This is where the stuff hit the fan, so to speak. The tiny stone that started the avalanche. The...well, you get the point.

- Poor Dean was honest-to-goodness scared of going back to Lawrence. And not comically plane-scared either. Sadly, properly scared. It makes sense, though. Sam wouldn't remember the fire (he was only a baby) but Dean was at least four years old whenever their house burnt down. Memories like that don't just get lost the way your first time using scissors does. I'll bet he remembers more than he cares to let on.

- We're not even ten minutes in and already this episode is packing on the emotional kickers. As a word of advice from the Feels Doctor, you may want to have a supply of tissues and ice cream on hand for this one.

- Dean physically winced whenever the woman (Jenny) assumed that he and Sam have a lot of happy memories in their childhood home. Ouch.

- "How much do you remember from that night?" "Not much. I remember the fire, the heat...and then I carried you out the front door." "You did?" Somehow I find it very sad that Sam didn't even know it was Dean who carried him out of the fire. We sort of get the impression that neither John nor Dean talked about Mary or about that night very much (for obvious reasons) and, as a result, Sam is left bewildered as to why they are fighting this war and not really knowing anything about the woman Dean and John fight so hard for. It's a tragic picture.

- Dean's teary message to his father just hits me right in the heart.

- Why, episode, why did you have to do the garbage disposal thing? Why? I'm having a hard enough time as it is keeping my dinner where it should be, what with my heart pounding in my throat and all. You didn't have to add that!


- Oh...and the wind-up monkey? Not only does it bring back to mind The Empty Child from Doctor Who, but the fiendish laughter as the man bleeds to death only adds to the horror of the scene. A double threat!



- Missouri Moseley. This is a character that, to date, has only had one appearance on the show and has never been referenced again...and yet she had quite the following among SPN fans. It's probably because she's a no-nonsense psychic who isn't afraid to put the fear of God into both John and Dean Winchester. I wonder what happened to her in the end.

- She's also quite business savvy about her psychic gift:

- She is definitely someone I would love to see come back to the show. With her dynamic personality and clear love for the Winchester boys, she would be a valuable ally. I don't understand why they didn't utilise her more as she was very well-received by fans. Scheduling conflicts?

- Sam was clearly amused by her scolding Dean for putting his feet on her coffee table before he even did it. The dangers of knowing a psychic, I guess...

- That little boy who climbed into the fridge was pretty dumb. I may have been young and foolish at one time, but even at that age I knew that you don't climb inside the refrigerator just in-case the door shuts on you.

- I have to say that the shots with the lighting and shadows just right transform the Winchester house into some kind of haunted mansion. It's actually kind of beautiful...in a creepy, help-we-might-die kind of way.

- It was interesting the way Missouri compared the Winchester home (the place where real evil had walked) to a wound that had now become infected.

- This episode contains the first positive usage of hex bags in the show as Sam, Dean, and Missouri plan to use herbal compounds to cleanse the house of the malevolent poltergeist. Well, herbs and crossroad dirt. Hmmm...

- So the poltergeist got Missouri with a dresser, Dean with the cutlery drawer, and Sam with the cord of a lamp. Why does Sam always end up being the one to get strangled?

- "Don't you worry...Dean's gonna clean this up. Well what are you waiting for, boy? Get the mop! And don't you cuss at me." The side-effects of working with a mind-reader...you can't even grumble inside your head.

- I should have known, whenever Sam, Dean, and Missouri left peacefully with a quiet thank-you from Jenny that the ride wasn't over yet. Conflicts on this show are NEVER resolved that easily.

- Mary's apology to Sam was filled with such love and such sorrow that it left me blinking back the tears that were started by Sam shielding those kids from the burning ghost and Dean rushing back into the cursed house for his brother.

- It's even worse whenever you realize that this is the first time (that he can remember) that Sam is getting to see his mother face-to-face. Even his picture of her from the pilot episode burnt in his apartment fire.


             This episode is a seething mess of emotions that will take you on a roller-coaster ride from terrified to confused to crying all within the 42 minute running time. It's also a dark story, bringing to the foreground again the murder of Mary Winchester and the shadow it casts over Sam and Dean's lives, as well as introducing Sam's visions and psychic ability. Missouri creates some much-needed comic relief (because Dean clearly wasn't in the mood this week) but she never seems like a cartoon-y figure. Jenny and her kids are likable people, if a bit bland and under-developed. And the ending scenes with Mary sacrificing herself for her sons and the implication that she's only remained a kindly spirit so long for the love of them is deeply touching. I give Home a solid 5/5. We even got to see the elusive John Winchester for the first time non-flashback and got a clue as to why he has cut off all contact with his boys, even as he rushed to their secret aid after Dean's call.



What did you think? Do you agree with my rating? If not - what would you say differently?

Top Ten Doctor Who Villains


            I love villains. Villain songs, villain plots, villain costumes...I just love those dastardly characters. And Doctor Who certainly has an impressive cast comprised of robots, aliens, and the odd human being who has gone off the deep end.

            Needless to say, I have a hard time picking which one is my favourite. And whenever I do, I'm sure that I don't speak for the rest of my fellow Whovians, given the fact that I have some strange tastes. So whenever this particular top ten list came up on my to-do queue, I decided to take a poll. The questionnaire ran throughout the month of May and, from the various replies and opinions I received from that, I have narrowed down a general consensus on the Top Ten Doctor Who Baddies.


       
10: Mr. Clever 


9: The Beast 


8: The Cybermen


7: Unnamed Creature of Midnight


6: The Silents


5: The Empty Child 


4: Vashta Nerada 


3: The Master 


2: The Daleks



1: Weeping Angels