What is the story of a teenage girl thrust into an inordinately
cruel environment as a result of government ordinance where she must
learn to survive or die, and she ends up joining a resistance movement
intent on stopping the elitist powers-that-be from assuming all the
power and oppressing the people?
If you guessed
Hunger Games... Well now, I've fooled you, haven't I? (Not to mention
it would mean it took you approximately ten words to forget the BLOOMING
TITLE OF THIS POST!)
Yes, I am talking about
Divergent. Yes, I realize the similarities to Hunger Games. Especially
when you compare the basic plot according to the movie adaptations.
Kudos
to Veronica Roth, however, because anyone who has actually read the
book knows that pretty much all of her series is distinct from "Hunger
Games" in many ways, in spite of having roughly the same appearance
onscreen. (for which I think we ought to blame the filmmakers, not the
author!)
The society in Divergent is "sorted,"
yes, but by personality type instead of natural resources. A little over
one hundred years prior, humanity underwent a Purity War that attempted
to genetically eliminate violence and negative personality types from
society. Those who believed that the worst harm in society was ignorance
started the Erudite faction, devoting themselves to the pursuit of
knowledge and science. Those who blamed greed united in Abnegation, the
selfless, ultra-humble, "plain" faction. If the culprit of societal ills
was lies and deception, those people belonged to the Candor faction,
who always told the truth and always said exactly what they thought.
Another group believed it to be anger and cruelty, and thus formed the
Amity faction, devoted to peace and promoting happiness. Lastly, those
who believed that the worst aspect of society was cowardice formed the
Dauntless faction.
The main character,
Beatrice, is from the Abnegation faction. Now, before anyone gets the
idea that there is any similarities between District 12 and Abnegation,
actually this is where Roth was very clever. Abnegation lives simply,
yes, but by choice and personality inclination, not by forced poverty.
Actually, Abnegation are the government officials, since a selfless
government is usually the safest. So that would make Beatrice more like
District 1—but not like the fussed-up Capitol of Panem, right?
The
story of Divergent is the process of Beatrice learning the deeper
reasoning behind the Faction system that she has always taken for
granted and of the looming threat to the "status quo" from the Erudite
leaders, who do not appreciate Abnegation's notoriously lenient
leadership style. Candor is on board
with this as well, and being the ones in charge of the media are not
hesitant to engage in a smear campaign against the established
leadership, unearthing rumors of child abuse and flaunting the growing
departure of Abnegation kids from the faction of their parents as a sign
that the faction is weak and should be disabled.
But
all the factions are agreed that the most dangerous threat to the
otherwise well-arranged society is the Divergents—those that don't fit
into any one faction, and don't respond to mental manipulation like the
others do. Of course, this is who Beatrice is, so she and her friends in
Dauntless have to figure out what to do with this information, all the
while staying secret from Erudite, who have taken it upon themselves to
remove Divergents from society and declare war on Abnegation.
I
felt, on the whole, the movie was a fairly good adaptation. After the
success of Hunger Games (as far as adaptations go) I look forward to
each successive installment because I know it's just going to keep
getting better. The
main story points were there, all pared down as narrowly as the
screenwriters dared. Long scenes of internal monologuing and drawn-out
conversations from Tris' point of view were compressed to a few
expository lines from a character, just so the mention could be there in
preparation for the outcome of it. A few of the secondary characters
were shuffled to the background because of timing limitations, but at
least the casting was solid enough that the first impression for the
characters that mattered was the right one. The
stunts and effects in the action scenes were great. There are a couple
scenes that escalate toward a rather graphic nature, but luckily do not
quite get there, and tactful camera work keeps things moderate. This
film is enough to satisfy fans of the series with it's fantastic
visuals, and encourage those who haven't read the books to go and do so
at once.
***SPOILERS AHEAD! This is where the spoilers start; if you haven't watched the film (or read the book) I strongly recommend you do so before reading anything beyond this point!)
The "Good Parts" Version:
***SPOILERS AHEAD! This is where the spoilers start; if you haven't watched the film (or read the book) I strongly recommend you do so before reading anything beyond this point!)
The "Good Parts" Version:
-Okay, for starters, the casting I felt was awesome. Shailene
Woodley was just the right mix of insecure and determined for Tris;
Theo James made a great taciturn, sensitive Four; Miles Teller was
suitable in his filter-less, say-what-you-really-think, heartless-bully
role as "that jerk from Candor," Peter. The actors for characters like
Will, Al, and Christina were equally as fabulous, and you instinctively
felt good about them... If only they'd gotten the chance their
characters are given in the book to really let the roles shine. And of course, you know that Kate Winslet has the gumption to set herself up as the "Boss Lady."
-One
aspect in particular that the film seemed to highlight better than I
could tell from the books was the effect of genetics on human nature,
and in turn, human nature on society. According to the movie's
antagonist, "Human nature is the problem." While the factions may have
been established to allow people to flourish according to the natural
bent of their personality, over time the separation between the
categories hardened into a rigidity that dictated a specific set of
responses allowed according to the predetermined stereotype of that
faction's personality. In fact, this might also be a call-out concerning
the issue of stereotyping. How many times have we thought, "Oh,
so-and-so affiliates with this group, so that means he/she is a
[label]." This happens in the movie: One parent abuses their child, it
is assumed that all children of that faction are abused. Abnegation
members are reserved, stoic, and silent, so the other factions give them
the label "Stiff." Once the label is applied, it is easy to dismiss the
ones we don't like, to view them as expendable or insufficient. Yet we
see in this story how important camaraderie and cooperation is, for the
success of a community.
-Beatrice's test was orchestrated really well, I think. I could see exactly where she made the choices for Abnegation (disturbed when her reflection multiplies, and when she decides to yield herself to being torn up by the dog instead of fighting back), for Erudite (she wants to know the reasoning behind having to choose between the knife and the meat), and for Dauntless (she would not fight the dog to protect herself, but when it goes after the little girl, she does not hesitate to stop it at any cost). As such a pivotal scene, I think it was a good choice--in terms of what to cut out due to time restraints--to leave that in there in its full detail.
-I love how everybody in Dauntless and Erudite is underestimating Tris all the time--and yet she doesn't back off from showing what she's really made of. Both Eric and Peter think they can get away with mistreating her just because she was raised Abnegation? They've got another "think" coming... And Tris' response is brilliant. She chose Dauntless, people! She's not gonna stay soft just because that's what she was!
-Beatrice's test was orchestrated really well, I think. I could see exactly where she made the choices for Abnegation (disturbed when her reflection multiplies, and when she decides to yield herself to being torn up by the dog instead of fighting back), for Erudite (she wants to know the reasoning behind having to choose between the knife and the meat), and for Dauntless (she would not fight the dog to protect herself, but when it goes after the little girl, she does not hesitate to stop it at any cost). As such a pivotal scene, I think it was a good choice--in terms of what to cut out due to time restraints--to leave that in there in its full detail.
Best. Quote. Delivery. Ever. |
-Listening to Jeanine go on and on about how the faction system was an attempt to "correct human nature" and how it's "human nature" that is the problem... and I just can't help thinking, "Man... has anybody told you that maybe it's your human nature that's screwing everything up in the name of science?" Because really, when you think about it, the Abnegation way of life ain't half bad, as far as the community goes... It was only when Erudite and Candor decided that they didn't agree that flagrant selflessness was a "danger" and "must be stopped." Because why? You suddenly grew a conscience and feel guilty that Abnegation is being nicer to people than you are? Seriously, what part of the Abnegation lifestyle might be considered an actual detriment to society? (Other than diet; I know I couldn't go vegan...) They are giving to others less fortunate than themselves, they are the most impartial faction, and not all Abnegation members are abusive or cruel at all. So why slaughter them? I guess that's where the story falls apart, and the movie didn't really do a great job of picking up that loose thread either... oh well.
-For all of whatever it cut out, skimmed through, or didn't do "exactly like the book," I have to say that most of what this movie has was done very well: the zip-line scene, Capture-The-Flag, Christina's "Bravery Test," and best of all, the takedown of Jeanine. I can forgo and forgive the omitted scenes and misplaced lines just on the quality of everything else.
All things considered, I'd give this movie an 8/10 and encourage anyone who hasn't to go and see it, for sure!
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